Angels – Between The Pillars

Dark Meditations with Archangel Samael

November 15, 2021January 10, 2022Tagged Angel, Angels, Archangel, black magick, dark, esoteric, hermeticism, kabbalah, magic, magick, meditation, paganism, power, qlipphoth, religion, ritual, samael, sephiroth, spell, spirituality, white magick3 Comments

Hello. It’s me.

This Mercury Retrograde has been..annoying, to say the least. But now things should get back on track, hopefully. I’m still working on the next book, which has now been in the works for a while now.

There’s also some major changes coming to both the Blog and Patreon.

I’ve also gotten very busy lately in life, especially my non-occult pursuits. Recently, my magick has evolved in big way. The knowledge that I have sought after for a long time, is finally being revealed to me, and I’m being asked to share it. I’m trying of course, but it isn’t always clear how this stuff should be made public.

I’ve always strived to make the contents of this blog as clear and accessible as possible. But in the pursuit of that simplicity, I’ve somehow managed to make everything complicated.

It’s polarity. What is simple takes more effort to understand. What is complicated is easier to understand.

For example, imagine a complex math equation. Such an equation can be written in just one line, but it represents years of study and work. To the average person, it looks like gibberish, but to a mathematician, who understands the symbols and theorems behind it, everything is very clear.

On the other hand, we could show the entire proof of the equation. We could fill an entire page with formulae, showing how we arrived at the equation. This makes the task of reading it a lot harder, but now any person who knows basic arithmetic can follow along. But, this means true mathematicians must sit through a lot more tedium just to get to the point.

So who should I write for?

I think there’s enough material out there for absolute beginners of magick, and often such material doesn’t go deeper. It doesn’t need to. So why cover trodden ground?

What’s the point going over pages upon pages of theory and tables and correspondences? What’s the point explaining, for the 1000th time, how to make a sigil or charge a candle? Why would anyone need to read an article on Between the Pillars for something like that, where there’s already hundreds of five minute youtube videos explaining it?

You see, I was afraid. I didn’t want to be the crazy guy, standing in the city square, ringing a bell shouting “it’s a lie, it’s a lie! History is a lie, culture is a lie, religion is a lie. They’re lying to you! They’ve been lying to you for twenty five centuries!!”

But now I think: why do I need to go to the city square? There are enough people to do that. I could also be the crazy guy living in a hut in the forest, saying the same thing but only attracting the attention of those who would care to listen.

I’m a bit of an elitist, which probably comes as no surprise to anyone. This knowledge isn’t for everyone, and I won’t pretend that it is. I want to share what I’ve learned with others who are on the same page, with those who understand, because that’s how our community grows and evolves, and how new ideas are generated. The longer we pretend to involve everyone, the longer we delay.

And if it scares or upsets people, so be it. Fear is all they’ll ever know. No more hiding.

This is a blog. A blog is like a journey. My journey. Today, I’m going to share an experience I had recently with the Archangel Samael.

Revisiting Samael

My invocation of the Archangel Samael was the very first post I ever made to this blog. Over time, I have made various edits and cleanups, and a few years back I went and updated all the older posts on the blog, including that one. The updates were mostly addendums about how my opinions about certain things had changed, or how my understanding had developed or evolved. At times, entire concepts from older posts had become obsolete. Instead of just getting rid of them, I simply included an update regarding them. This way, people can read the original material along with my evolving opinions.

Most occultists change their opinions and beliefs extensively throughout their lives. Dogma is really bad for magick, and if you read the works of any prominent occult or esoteric writers, you will see they rarely ever ‘double down’ on things they previously believed. That doesn’t mean what was believed before is ‘wrong’, merely that it has served some purpose and now is no longer needed. That’s how spiritual evolution works.

The Archangel Samael is a very, very important and prominent part of my magickal journey. Despite this, I haven’t written much about him, and that’s largely because there was a massive gap between my early days of spiritual dabbling, and eventual initiation into the Golden Dawn system, where I rarely invoked him in any major way. Yes, there were times when I called him, but it was never something to write a whole blog post about.

The experience I’m going to write about today is a recent experience that’s actually worth sharing.

Not a ‘ritual’ exactly. More like a meditative trance I was guided in the middle of the night. I was half asleep, which is apparently a great time for spiritual work and to receive messages. According to Samael, conscious resistance is very low, and information can be downloaded easily.

As I recently explained on my Patron, spirit communication does not happen in words. Rather, it takes place in the form of impressions, which the conscious mind then unpacks and translates into language. When a trance is deep, the impressions are all that come, and barely become words. That was the case here. So all the messages I write are actually paraphrased, rather than straight dictates.

At it’s purest and highest forms, such communication is even more sublime. Rather than impressions, a whole concept or set of information gets instantly understood and internalised. This is called Gnosis, or ‘knowing’.

The Dark Meditation

I did not plan this meditation. But that’s just how synchronicity works. I was going to sleep at midnight, but ended up staying awake till 2am.

It was dark and cold, and suddenly I started to feel like…well, like not sleeping. Instead, the thought of calling on Archangel Samael and meditating came to me. And when I say ‘came to me’, that’s how messages from the Higher Self come. You simply know that a certain thing needs to be done at a certain point.

I was guided to turn off the lights, get some water and sit on my bed to meditate. I was about to draw the curtains, but a sharp resistance stopped me. This ritual was to be done in total darkness.

I was also guided to put on my headphones and use some ambient music for the meditation. At first, I tried some generic choir music. But then I was urged to specifically find thunder, lighting and rain, because those are apt for calling Samael. At this point he was already around, by the way. The ‘calling’ is more a formality to match our wavelengths. So I was about to start, and then it struck me: what mantra or enn to use? I had nothing prepared after all!

Samael told me to go online on my phone, and look for an enn. So I did, and found many, many different people, all with different enns that they claimed was the ‘correct’ version. Then Samael spoke:

“You see how many mantras there are? And they all will work! There is no ‘correct’ mantra, and there never was..”

I was then informed that essentially ALL mantras, enns and hymns, in all religions and spiritual traditions, were essentially barbarous speech. That is to say, one must think of a deity, focus on its energy, and then simply start chanting. The words come naturally, but have no logical meaning.

Apparently, this is how the ancient sages channeled hymns and such, and why most spiritual traditions were oral (for example, the Vedas). But then these utterings were noted down, memorised and repeated. And thus the original effect and power was lost or diluted.

Therefore, I simply began to channel a hymn to Samael. You’ll remember that when I first invoked him, I’d ALSO channeled a hymn. But this time, it was not English words. It was simply incantations meant to push deeper into trance. He also clarified that barbarous speech and words of power are not the same thing. Words of Power DO need to be spoken exactly as intended, and there the sound produced itself has power. It should also be noted that devotional songs, as well as subconscious affirmations neither barbarous speech nor words of power, but two separate things entirely.

Anyway, as I invoked, the darkness around me got thicker, and my heartrate went up. The trance got stronger and stronger, and I fell fully immersed in the ambient thunder and rain. I saw visions of the sky opening, and a mighty angel with many wings descending. It was all in black and white, and completely silent. Absolute silence is a very common aspect of Samael.

Now, here’s how I was directed to do the meditation. It followed a very normal pattern of energising the chakras and aura. Normally, I visualise light entering my chakras, moving down the central channel, and finally radiating out to my aura, energising me. This I do often, and Samael directed me to do something similar, but with darkness instead.

At first, my immediate reaction was to stop it, because I normally visualize impurity and profane energy as darkness. Like for example, when I am taking a ritual bath, I will visualise my body covered in a black ink, and it gets washed away. My subconscious understands black energy as negativity. But then Samael informed me:

“Darkness is not negative. That’s just how you choose to perceive impurity. If you want, you could visualise impurity in any other way, so why choose darkness? Darkness is also the colour of emptiness. Darkness is the colour of the inner void, that empty place where the inner light dwells!”

He then recited the famous Golden Dawn motto I hold very dearly to myself: “The light shineth in the darkness, but the darkness comprehendeth it not..”. I believe it is a Biblical saying.

Interestingly, I had once called on Samuel Lidell Mathers (the founder of the Golden Dawn who had chosen this phrase in the first place), and indeed he had come. When I questioned him regarding this axiom, he actually gave me a second part of it: “and the darkness hideth in the Light, but the Light seeketh it not.”

In case you didn’t know, the Golden Dawn adepts count, to a certain degree, as ascended masters. It’s easier to call them when you also belong to the tradition.

Samael then explained that he was the spirit of the inner void. He was the emissary of the inner womb, the darkness from which the light shines. He explained that one must look deeper into the darkness, to perceive the light. He explained that this could be a scary and radical act for many magicians. However, since I had already faced many of my fears and overcome many of my complexes, it would be relatively easy for me.

“You have already suffered. You are already emptied, and prepared to receive the Light”

And then I began the visualisation without fear. “Fear is failure, and the forerunner to failure” as the GD axiom goes.

First, I visualised a deep, absolute darkness fill my Crown chakra. Then it travelled down, to my Third eye, and so on, down the channel. Normally I visualise white planetary symbols on my chakras as they fill with light, but now I visualised black symbols of the planets instead. The darkness travelled down, all the way to my Root chakra. Then it coursed through my body, and radiated out to fill my aura.

The light is cold, but the darkness feels warm. I felt empty, barely conscious, and without resistance, fear or doubt. At that moment, everything fell still and silent.

Then it began: some sort of transformation, along with a whole host of messages. I will do my best to recall.

The Messages from Darkness

The Archangel Samael told me the root of his name. As you know, the name Samael is often translated as the ‘poison of god’.

“Indeed, darkness is the blinding venom of God. For the foolish, it can be terrifying. But the wise can navigate it without fear”

He then drew my attention to the secret syllable ‘Sham‘, which is a root word in Hindu tantra, and used for a specific purpose in Kundalini yoga. He told me that this is the real root of his name, and is a word of power. It is also where the term ‘Ha Shem’ comes from, which denotes the 72 fold name of God in Judaism. It is the root of the Persian word ‘Shyam’, meaning evening, and also the root word for Shamash, the Babylonian term for the Sun.

Thus, the Archangel Samael (Sham-ah-il) is associated with the Kundalini. The Kundalini is a feminine, draconic force that rests in all individuals. There’s little more I can say regarding that.

At this point, my back began to hurt. This is quite a common thing that happens when meditating, especially if one does not have a proper seat or cushion. Normally, the key is to simply ignore it and get through it. Samael explained why this is

“The minor pains and annoyances are meant to keep the unworthy away from this knowledge. This knowledge is meant only for those who are prepared. This is the first threshold to cross, and very few shall ever cross it. You must resist the urge to stop.”

So I continued despite the minor aching in my lower back and knees. As I know from experience, it goes away in a little while.

I got further messages.

“People fear the darkness because it reflects their fears. It forces them to turn within and acknowledge the emptiness they harbour”

I saw ghosts. I saw phantoms. I saw serpents. A ghost came up, and was inches from my face.

“But he who has recognised that the dakrness comes from within has nothing to fear. No force can harm him, because he recognises that all is within. A mere reflection!”

I saw the creatures melt into puddles of darkness, and then merge into a massive shadow which was emanating from my own body.

“People focus only on the light, and neglect the darkness. This halts the process of ascension. Everyday, you meditate on the light. From now on, meditate once on the darkness and once on the light each day.”

I came to realise that I was totally immersed in Boas, Pillar of Severity. I could see orange flames inside me, and a flaming orange Swastika in my crown chakra. I also saw a white, glowing symbol on my root chakra, shaped like a wheel. They looked..organic.

“True symbols of power are revealed in visions, but people are unable to copy them. So they become simplified, distorted and eventually lost”

I then realised that this weird wheel like thing, which almost looked like an iris drawn in chalk, was the actual symbol of Spirit. It dawned on me that this was the original inspiration behind the more well known symbol:

It looked a lot more organic and ‘real’, and it dawned on me that all magickal symbols were simply an approximation of the real thing, almost like a motif. The real symbols were too complex to remember and replicate, so simplified symbols were made instead, to act as anchors for those forces. It was like comparing a real object, to a simplified picture of it.

I saw the Tarot card of Death, and I realised that Samael was the very embodiment of it. He brought death, upheaval and rebirth. To many, Death represents the absolute end of things. But to magicians, it is in fact an important threshold to cross in order to truly awaken.

I was then told that I was at the second threshold of the meditation: boredom and emptiness. I was told that now a strong desire to end the meditation would come, believing that all the work was done. Instead, I should continue. I was led to bend my back downwards, while still sitting, so that my head was touching the ground.

“This posture causes blood to rush to the head, activating the spiritual senses and pineal gland”

I then realised that both Hindus and Muslims do this. We place our head on the ground during or at the end of prayer, but it is normally a sign of prostration and submission.

“A misunderstood gesture. The true purpose of this gesture was to bring blood to the head, and bring alertness, activating the psychic senses.”

As I sat there, head down, I was told to cover my eyes and “focus on the void”.

Then I sat up again, and now I could feel an immense power rising up inside me. A chill passed through me, and I was covered in goosebumps. And then the energy and adrenaline exploded inside me, spreading out my heads in rapid, spontaneous movements. I was reminded of traditional dance. I realised that religious and traditional dances were originally a way to channel and direct energy this way, and modern dynamic dance forms still do this. The products of culture: dance, language, song and art, were never meant to be repetitive, reproduced or dogmatically adhered to. All of it was meant to be natural expressions of the energy that builds up inside.

And then I was done. I was a bit tired so I fell back on my bed. The Archangel Samael commended me on making it through that. I asked “So, are we done”

“We are never done. This was the first part of the meditation. You can rest and continue later”

But I asked why I couldn’t just do it then and there. I wanted to see how far I could go. So I told Samael “take me as far as you can”

“How far I can take you: no person can go”

“Then take me as far as I can go”

Then I sat up, after a bit of rest, and began meditating once again.

The Light Meditation

The second time was a more standard meditation. I visualised a beam of radiant light, as often. But it was so much more powerful than I have ever felt. Once again, I visualised white light coming into my Crown Chakra, then down the channel to the Root, fill my body and radiate into my aura. The Light was bright, cool and full of life.

It was not Samael now, but another figure. I could see a vibrant purple. As weird as this may sound, the energy felt almost ‘biblical’.

It was the Archangel Metatron, as I would later realise. And he told me a variety of things. By then I was so deep in trance that I could not comprehend most of it, but I must have downloaded all the messages subconsciously.

He told me that the ancient prophets, magi and sages underwent similar meditation.

“When the sages of the past, emerged from their meditations and went into the world, they faced ridicule and mockery, and they were attacked and challenged. But they were not affected, for they understood that all they saw and encountered, was an expression of themselves. And so, they laughed in the face of adversity and mockery, and no harm could come to them”

I was also told:

“Spirit is immortal and everlasting, and it has no need to fear. It cannot be touched or harmed, and nothing can exist, which is not part of it. Therefore, have no fear before anyone, for you can accomplish anything.”

The visions came further. I saw old men and women, from all over the world. They were from many different times and of many different races, in many different garbs. They were invoking the mysteries, and they had ascended and seen the inner light.

“You have no idea how powerful you are. This power should not be ridiculed, nor underestimated. Never profane that which is sacred”

I saw purple spirals, like rolling wings, before my eyes. It was all lighted up, like someone shining a torch in my eyes. Now, this is pretty standard for meditation, and has happened before. But it was somehow more powerful, more grounded.

Often, meditation makes me feel light and disconnected. But now I felt immersed in the world, in reality itself.

I saw the dark and the light body next to each other. And then, they merged, and overlapped, and became one. The chakras were neither light nor dark. Instead, they were like black balls of crystal with a powerful light shining inside them, making them glow.

“The light shineth in the darkness, and the darkness comprehendeth it not. The darkness hideth in the light, and the light seekest it not.”

I was witnessing Spirit shine within Matter. The union of the Male and the Female.

Damn.

I was told that this was, and always has been known to the great Masters. But it is generally not spoken of, and kept hidden. It was only taught to students who were ready.

But secrecy had caused the knowledge to be distorted, and misunderstood by the masses. It had created the false dichotomy of Spirit and Matter, and matter, the feminine, was suppressed. Spirit, which was masculine, having lost its connection to Matter, appeared tyrannical and harsh, like a wrathful God punishing his subjects.

Conclusions

Am I telling you to try this meditation?

Absolutely.

But, it may be different for you. Essentially, the Archangel Samael told me that every type of meditation has two forms: a light form, and a dark form. Both should be done. Over time, both shall happen simultaneously.

For example, when you meditate on the chakras, and fill them with white light, you should also do one for darkness. Every meditation of light has a counterpart, which is the same meditation with darkness.

As I’m sure you know, the work of magick produces obstacles. When we, for example, start invoking the light, it forces our life to become purified. We may be forced to shine a light on those parts of ourselves which we are ignoring, to let go of toxic beliefs and ideas, and so forth. Invoking the darkness is similar, and can only happen when a person has internalised the light.

Otherwise, instead of power, you shall find repressed memories, fears, complexes, and all sorts of other hidden aspects of oneself. The darkness will become scary, and terrifying.

I’ve done the darkness meditation several times now, and at one time I was faced with waves and waves of terror, and I became paralyzed with fear. Then I faced it once again, but this time I was not afraid. It’s hard to put in words. But, I was told that this is a test. Each time I maintain my calm, and face the terror, I grow stronger. It subsides, and dissolves like a mirage.

Reminds me of that scene from the new Dune film (which I have already watched three times because I love it), where Lady Jessica is reciting a prayer against fear.

This is not a practice for beginners, because it will test you. But those who have already internalized the light, who have already faced their fears and and redeemed their inner self, this may be a vital practice. This may be why so many of us, who have fully internalized the light, begin to feel weak, ungrounded or unable to face the darkness of the ‘real’ world. It’s because this crucial part of the puzzle was kept hidden.

An Angel once literally told me “The ancient magi, fearing that the key would fall into the wrong hands, broke it into two, and scattered the pieces in different directions”.

This is the other part of the puzzle. The darkness, or Matter, is a receptacle for the light of Spirit, and must be invoked by a balanced adept. It will give much needed strength and a feel of connection to the world around.

This is real. This is really how it is. So do with it what you will. I will see you soon.

~Peace and Farewell
White Raven Invictus

The Great Secret of Magick Pt3: The Mind, Body and Soul

July 2, 2021July 2, 2021Tagged Angels, ceremonial magick, demons, enlightenment, evocation, hermeticism, invocation, kabbalah, magic, magick, Occult, philosophy, power, religion, secret, spirituality, Theory and Insights, white raven, witchcraft1 Comment

Welcome back. Let me do a little follow up to the last post, which was perhaps a bit strange and felt unfinished. It was important to show the history of how and why ideology replaced traditional religion. And additionally, I had to draw attention to the source of human endeavor, which is Will to Power, which is often ignored, and many people they that they alone are correct and that their beliefs are ‘good’, not realising that everyone is driven by the same impulses as them.

We are motivated, to a great extent, by this Will, and it drives us forward. Each person has their own truth, their own ‘god’, and eventually a magician has to discover and speak their own truth, rather than attempting to realize some grand and false ideal they have been conditioned into. Especially in this time where many of the old ideals have fallen from their place.

I began to pursue magick for two reasons: to take control of my life, and to see what was beyond the mundane perception. I started this blog to share insights and experiences I had had, for the benefit of others, and eventually began to weave them into a philosophy.

You see, I was angry, depressed and bored. I was a pawn in someone else’s game, and like everyone around me, I believed that someone else had the keys to my happiness and someone else would create my future. But I found magick, and after my first successful evocation I committed to it.

I went deep. I did not stop at sigils and spells, but I kept following the rabbit hole until I reached Wonderland. It was mostly an escape. But then I tore down the walls, and brought Wonderland up to the Surface. The two integrated, and I no longer had to escape. I knew, from a certain moment, that there was no rabbit hole nor wonderland to begin with. Reality simply is, and magick is not an escape. Magick is reality itself. It is life, a life lived fully.

Even if you feel upset by my ideas and opinions, remember that you were likely drawn to this blog because of my unorthodox approach. To me, all this is absolutely real. Magick is not just psychodrama. It’s all literally true, and the more I realise that, the more my faith strengthens. And the more I feel like it’s okay to open up about these things on this blog. So pardon me, sometimes I need to shake things up a bit.

I waited, for far too long, for older and wiser folk to get around to it. But they’re unhappy and depressed, and they’re just making it worse. Life is so very short. Too short to spend waiting for it to begin. So you know what, fuck it. I’m going to say what I know to be true. Just because I can. Just because I was given the gift of speech, and for no other purpose than that.

Magick And Archetypes

In Magick, we often work with various beings that are not quite of the material plane. We call them gods, demons, angels, spirits, and all manner of other names. Traditionally, religion told us that these spirits or beings have a fixed place and purpose, in relation to humanity.

Isn’t it strange how, in most religious theology, only human beings seem to be evolving? Why is it that only we seem to have a destiny, a mortality, a free will and the ability to sin, while everything else is seemingly eternal and serves only one purpose?

Mainstream religion in the 21st century gives various justifications which have no reasoning nor basis behind them. These beings are shown to not have a Will of their own. They are presented as not growing or evolving, but being as they are forever. It’s quite an anthropocentric view of the Universe, where our own conscious, perceiving Mind alone is special and evolving, and all other things are fixed. In fact, religion acts as if these beings aren’t actually real, and as if religion only has a utilitarian purpose. As Richard Dawkins once joked “all religious people are atheists”. In a weird sort of way, this is true.

Then you come to magick, where many traditions tell you that these beings exist inside of your head. This is why they’re eternal, because they’re actually just projections of your own psyche, like personas who become detatched from you and act as independent characters during a ritual. Of course, this illusion falls apart for any sufficiently experienced magician.

First and foremost, I want you to full understand archetypes.

What are archetypes?

Archetypes was an idea explored most in depth by Carl Gustav Jung, often called the father of modern psychology. Those of you who have studied kabbalah may have heard of the “archetypal” plane as being the highest plane of existence.

12 Jungian archetypes. But this is not all there is. There are, in fact, infinite archetypes of thought, behaviour and narratives. Jung’s theory was actually much more fluid and complex than often depicted.

Archetypes are essentially prototypes, of behaviors, forms, symbols etc. For example, we can say that there is an archetypes of a ‘chair’, which would be a transcendent object which contains all the defining traits of a chair. All things that we recognize as ‘chairs’ would adhere to its traits and characteristics.

Jung recognised that archetypes are the framework of the human psyche. These archetypes came about as the result of millions of years of evolution, and strongly influence the way we see the world. For example, ‘Mother’ is an archetype, as is ‘Father’. We, as human beings, do not ‘learn’ what mother, father, king, teacher, tyrant, trickster are. We simply have a natural inclination to recognise these archetypal ideas. ‘God’ is an archetype, as is ‘tribe’.

Not only Jung, but various others have also recognised certain archetypes which are universal. Sage, magician, wise man, hero, jester, tyrant, creator, devil, all these are archetypes. Homeland can be an archetype. Even the ‘Known’ and ‘Unknown’ are archetypes, as are Heaven and Hell. You could say that the Magician or occultist is like a archetype of the person who ventures into the Sacred space, while ‘shaman’ is the archetype which is shifting and fluid.

In the last post, we discussed how Culture is the Divine Father, and responsible for morality, which is learned. These archetypes are not ‘learned’, but inherited. They exist within us naturally, and thus they are the product of Nature, the Divine Mother.

But Jung studied these further. This is the most important thing to understand in this post: the projection of archetypes. Essentially, human beings do not just use these archetypes on other people, but also project them onto the world. For example, we project the archetype of ‘Mother’ onto our surroundings, and the place of dwelling. Somehow, millions of years of evolution have molded the human psyche to regard ‘Mother’ as the nourisher and protector. Hence, we say ‘Mother Nature’ and ‘Motherland’. We say ‘God the Father’ and regard our culture and religion as a patriarch. Remember how in the last post we talked about Utopia simply being paradise on earth? In essence, it is simply taking the archetype of Heaven, but instead of projecting this idea to the afterlife, it gets projected to the future here on Earth. Utopian and Dystopian stories are no different than mythology about Heaven and Hell.

Stories and narratives which are extremely compelling are often archetypal in nature. Religion makes strong use of archetypal narratives, as do political ideologies. This is why they replaced religion.

Hero and Saviour can be seen as archetypes too. The longer something is around, the more it gets ‘refined’ and closer to being archetypal. This is why the more ancient a religion gets, the more its power grows. Gautama Buddha was likely a mystic who lived in the 7th-5th centuries BCE. But, over 2000 years, his story has become ‘archetypal’, meaning it has slowly warped and changed to resemble the archetypal story of the ‘Hero’. By the way, this is also why mythology from different parts of the world often has similarities. Human beings have the same archetypes, and all over the world, even in disconnected cultures, these archetypes emerge.

In magick, many traditions make heavy use of archetypal narratives. The myth of Christ, Bacchus, Buddha and Horus are often used to show the stages of magickal initiation. This shows that archetypes are more than just stories and symbols, but behaviours too. They are intrinsically linked to human existence. These figures, by the way, may be real people. But that’s not the point.

We use their legends because these are archetypal. Modern day superheroes are nothing but a modern expression of archetypal figures. Where once people were obsessed with Pantheons of Gods, now they are drawn to characters in pop culture. Superman is particular, is a strong symbol for magicians to study. And yes, the story of Superman was inspired by Nietzsche’s ‘ubermensche’.

People who do not know about archetypes often make the error of claiming that if two cultures have the same mythology, symbols, rituals and language, then one of them must have borrowed or learnt or it from the other. For example, why does the story of Jesus so closely resemble that of Horus and Bacchus? Why did the Mayans and Egyptians built pyramids? Why do so many cultures have the idea of an Earth goddess and a Sky Father? People then, mistakenly, assume that one of these must have ‘stolen’ these ideas from another. Now, there are many cases of overlap and cultural exchange, but not always.

Yes, some cultures have similarities and some religions came from the same place. But all these cultures and religions are simply expressions of the one culture and one religion shared by all humanity, expressed as archetypes all over the world. People respond to these symbols and myths on a very strong and emotional level. We feel that they are ‘true’, as in they are linked deeply to the human experience.

Its almost like the archetype describes characters and a script, and we put on these masks and personas and act out the play, at different times and places.

It isn’t just mythology that is archetypal either. Star Wars is pretty damn archetypal, as is Lord of the Rings. The Journey of Frodo and Luke Skywalker are simply another iteration of the same journey and sacrifices undertaken by Christ, Hercules, Bacchus, Horus and Krishna, or those of Beowulf and Arthur.

This how the Tree of Life works. The Sephiroth represent archetypal categories, to which multiple symbols can be ascribed.

For example, Geburah is the archetype of the War God. Horus, Nergal, Parashurama, Samael, Kamael, Indra, Tyr, Ares, all adhere to this archetype.

The mistake that many, many magicians make is failing to understand what the Tree of Life actually is. For example, they will force a deity like Sekhmet to fit into Tiphareth because she is ‘solar’ or was worshipped as a solar deity. In reality, she is an archetypal War Goddess, and belongs to Geburah. Or perhaps they will force Artemis into Geburah because she is is a Huntress, when her place is clearly Yesod as well.

A deity can even have different attributions. For example, Horus the Avenger may belong to Geburah, the Horus the Prince belongs to Tiphareth. Horus the Elder certainly belongs to Kether.

Human beings, therefore, project the contents of their psyche onto the world. It is my understanding that we project the Archetypes of our own mind onto the Cosmos. A dark forest becomes the archetypal ‘underworld’. A strange epidemic becomes the archetypal Judgement Day. The leader of an enemy nation becomes the archetypal Devil, and a charismatic political leader becomes the Messiah.

Ancient astrologers, projected the archetypal deities onto the constellations. Aries the Warrior, Taurus the Mother, Gemini the Twins, Virgo the Sacred Virgin, Leo the Hero!

When you truly love a person romantically, or truly hate a person, this is more descriptive of you than of them. Because what you’re seeing is a reflection of you, your own archetype of the Lover and the Adversary. This affects your relationship not just with people, but with Spirits, with nations and religions, and with ideas and beliefs and philosophies.

Our life becomes an archetypal journey, a story narrated by our own Mind, filled with archetypal characters, and this is especially true for a magician, who will attempt to see their life paralleled by legends of great heroes and prophets. A fantastic study of this phenomena was done in the book, The Alchemist by Paulo Coelho. Despite getting flak for being new age, the book is a solid exploration of the magickal initiation, and written by a openly practicing magician.

But the trouble begins where people do not realise this, and think that the archetypes are outside themselves. And then, the power passes from them to external forces.

Pay close attention to how your magick manifests, how the Deities appear, how your spells work, what you see and what symbols you channel, and what experiences you have. This is your own mind being reflected back at you. This is why you should write it down, and contemplate it.

When the contents of the mind become projected and visible, the magician can interact with them. He can interact with these archetypes, now manifest in the realm of the Unknown into which they have stepped. The magician learns about them, knows them, faces them and embodies them. And then, they recede back into his mind, now integrated into the Ego, which transforms into the Self.

Written here, is the whole secret of the magickal art, to those who will read between the lines.

The Projected Cosmos

You have likely come across the idea in many modern works of magick that magick is all psychodrama. In the 20th century, the scientific method was all the rage. Magick, occultism and spirituality were fast fading into obscurity as weird delusions and primitive superstitions.

Then came along Carl Jung with his revolutionary research on archetypes. Despite being accepted by mainstream science, very few textbooks on psychology will ever give you a full picture of Jung’s work. Jung was openly mystical, and a self proclaimed alchemist. He made absolutely no attempts to hide the full contents of his belief and work. Once, asked if he believed in God, he simply smiled and said “I don’t need to believe. I know”.

But much of it is not promoted. If you look into mainstream psychology today, you’ll see that his dry, scientific analysis is all they look at. Most are too scared to talk about or even admit to the existence of his other works like Aion, to say nothing of The Red Book. The content of these works is too much to be attributed to such a major scientific figure. Then again, no one talks about the major spiritual experiences of Newton, Descartes or many other scientists either.

Magicians too, seem all too happy to say that it is all psychodrama. Scientific materialism is all the rage among many magi these days, who are maybe too keen to be part of the status quo, or simply unwilling to challenge it. But the Gods are real. Let me explain.

Let us revisit archetypes. Consider your ‘Mother’

She is a real person, yes? And onto her, from the moment of your birth, you have projected the archetype of ‘Mother’. To you, she represents Motherhood. Keep in mind that even if it isn’t your biological Mother, you likely have a Mother figure if your life.

But, while this individual is a Mother figure to you, that’s not all she is. She is a lot more than that. An individual in her own right. A complete manifestation of the Universe, with her own Will and Destiny. And yet, within your psyche, and your perception of reality, this individual is a ‘Mother’.

Similarly, you are her Son or Daughter. But to a friend of yours, you might fill a different role, and yet to an enemy, you are the ‘adversary’. To different people, you wear a different mask/persona. In fact, in traditional theater, this is literally what actors do. While the individuals are ever changing, evolving and growing, they exist within your mind as a fixed archetype. The Mother shall always be the Mother, even though she will change a lot in one’s life.

Are the Gods real? They are. They manifest to you within the framework of your spiritual tradition, complete with a name, appearance and traits we have ascribed to them. Sometimes these are symbolic of their own Nature. But beyond that, they have an independent existence, just as you and I. Everything in Nature is alive, evolving and independent, regardless of which mask it wears at which time.

Ares is not just the God of War. This being, or phenomena of Nature, merely filled the role of War god to the ancient Greeks, who dressed him in their cultural symbolism, and gave it a Greek name. And today, we may dress him in our own symbolism. The true nature of this Being shall never be known to us, since we cannot experience the world from it’s perspective, only our own. This same being may have filled different roles/ work different masks at different times for different cultures.

If you want a quick run down on Jung, watch this video. I highly recommend it, and it will help cut down this post by 1000 words.

There are said to be three major components to magick: astrology, alchemy and theurgy. In the first post, we already discussed how the ancient Alchemists projected their minds onto the alchemical processes. These projections are really just archeytpes, and these archetypal stories and characters are encoded into alchemical mythology.

This is even more evident in astrology. Ancient humans projected their archetypes onto the celestial bodies. The constellations formed the 12 core archetypes. The planets came to represent parts of the human psyche, with the Sun being the Ego (the conscious awareness, or Ruach). You may now understand the point of astrology. As the Ego (Sun) goes around the Zodiac, it expresses itself as different archetypes. The ancient people then turned the Cosmos into a map of their own psyche. So when the Ego (sun) is in Virgo, it was understood that the energies of the Virgin archetypes would be more prevalent in people’s conscious awareness. When the sexual drive (Mars) was in Scorpio, it was understood that people would be more driven to explore hidden or taboo sexuality, as Scorpio is the archetype of the Concealer, or Antihero.

The astrological chart is really a map of one’s own consciousness. The constellations are archetypes, the planets are parts of the psyche. This is why tropical astrology works better than sidereal astrology. This is why there’s no ‘correct’ version of astrology. It all depends on which magickal tradition you use. You tap into that current, and us its symbols.

Because yes, archetypes must be understood as symbols. The last aspect of magick, theurgy, is also about projecting archetypes. Theurgy refers to invocations and evocations of various spiritual beings.

You may have heard that a ‘true’ system of magick is one which provides the student with a ‘complete’ set of symbols. This is what that means. A real, effective system of magick takes into account all the parts of the psyche, and the archetypes which they can express. For example, take the system from the O.T.A, who combine the Keys of Solomon with astrology. It gives you 72 angels and 72 demons, each divided under the Zodiac, and by planetary rank, which are under 4 Kings and Watchers. In a sense, you have every archetype you could imagine represented here, and many sub archetypes. This is a COMPLETE system. If you use this system, you do not need to include Pagan or Egyptian gods, or Rosicrucian mysteries.

The same would be said for various schools of Witchcraft, or the Golden Dawn, or Thelema, or Tantric Yoga. However, you have probably come across certain new age schools which basically throw together a hodge podge of random symbols, often deities who are all roughly the same. This is an incomplete system of magick. There is no complete set of archetypes, nor a complete cosmology given. It is based on limited logic and lack of experience, and the previous post should have made it clear why logic and commonsense can only take the magician so far.

The Symbolic Universe

While our axiomatic Values are learned, and therefore unique to each individual, these archetypes are inherited. All of humanity has the same archetypes. This is why they are said to belong to the ‘collective’ unconscious.

This idea is often misunderstood. People think of it as some sort of Hive mind, or some energetic field ‘separate’ from us. But what this really means is that there are certain traits common to all of humanity, and inherited from previous generations. This is the collective unconscious. Archetypes are universal, and passed on from generation to generation. The collective unconscious refers to those parts of the human psyche which we all share.

For millions of years, humanity lived as nomadic hunter gatherers. Our modern agricultural societies, which are only about 12,000 years old, are relatively young by comparison. Therefore, the archetypes we project are reflective of our older, nomadic past.

For example, why do many cultures depict ‘demons’ with reptilian skin, glowing eyes, sharp teeth and claws? Simple, reptiles and carnivorous animals were the biggest threat to our hunter-gatherer ancestors. Even if you’ve never seen a snake, you’ve got a fear of snakes and lions hardwired into your DNA. If you ever see glowing eyes in the dark, your first and most natural reaction would be to run, because your primal consciousness knows it means ‘predator’.

Similarly, many of our Gods of prosperity and fertility are depicted with radiant halos, golden or white clothing and vibrant faces. Because to daytime mammals like us, the Sun represents safety, security, life and warmth. The darkness represents fear, danger and death. Hence our Gods of death often appear dressed in black robes. If we were a nocturnal species, perhaps this symbolism would be inverted.

Let us assume you invoke the God Ares. He is the God of War, and there almost a grantee that he will appear to you as a well built, perhaps bearded, male. This the archetype of the Warrior. For millions of years, women gathered food and men hunted. Our brains are hardwired to recognise the ‘warrior’ as being a physically strong man, perhaps armed with a spear. Interesting how so many war Gods appear with spears, because we have used those for far longer than we have used swords, and perhaps have a natural recognition of it. The God of Wilderness, Pan, on the other hand, shall likely have horns, body hair and hoofs. The God Osiris may appear glowing, wearing white clothing, and a crown, archetypal symbols of purity, power and royalty. Kali may appear with black skin, covered in blood, with fangs and glowing eyes, archetypal symbols representing predators, danger, fear and the nighttime.

Different cultures, in different time periods, projected their archetypes onto the world. This resulted in the birth of various Pantheons. It’s the same Gods you see, and the same fundamental archetypes from the Dawn of time, and perhaps the same beings who embody them, but different manifestations.

In his book Aion, Jung described how when these symbols first appear, they grip the imagination of a culture. But then over prolonged periods of time, they turn stale and boring. Everything that can be gleamed from them has been learned, and they begin to feel empty and hollow. This is quite literally a cultural Ragnarok, or what Nietzsche called the “Twilight of the Idols”.

These symbols, or ‘idols’, die. And then a new set of symbols emerges, more relevant, more meaningful, more powerful. Sometimes, the new symbols may just be a reiteration of older symbols. (Such is the case, for example, with Paganism, Christianity, and neo-Paganism)

Interestingly, I think this is what the mystics of various religions meant when they asked their followers to give up “idolatory”. In a sense, they thought that they could get most people to give up the worship of symbols and work with the forces behind them.

And yet, it seems all such efforts are in vain. Idols do not refer to physical statues, they refer to symbols. But it seems that symbols do not go so easily. Only the most advanced Adept who has gone through all the trials of initiation can successfully give up the symbols and recognize the nameless, formless archetypes that dwell behind them.

Different orientations of these symbols produces different spiritual traditions and religions. This is what is really meant by the phrase “all religions teach the same truth”. It doesn’t mean all religions have the same moral and philosophies, because of course they don’t. But they are all paths to the same primordial, archetypal forces, and teach the same archetypal myths. Although they may be represented by various different symbols, and recognised in various external forces and phenomena, they are inner forces, found within the heart, mind and soul of every human being.

Religion involves the worship of these symbols, to imbibe and commune with the energies behind them, and spirituality involves learning to study and understand them, to increase one’s knowledge. Magick is the work beyond that, to actively call upon them, to embody them and recognize them within one’s own Being.

Nature, The Divine Mother

A lot of people these days are believers of social constructivism: the idea that pretty much all human behavior, beliefs and values are the result of social conditioning.

You know, the idea that human beings are a blank slate at birth and entirely the product of their environment.

The truth is that we are affected by Nature more than we realise. She is our Divine Mother and Her influence remains hidden in the unconscious. So much of what we do and who we are is the result of our genetic predisposition. Recent studies show that even your political leaning is genetic. This is why it’s pointless to debate people over politics, since people do not vote based on facts or beliefs, but rather based on their temperament, which is biological.

The archetypes, whatever they really are, are understood in magick as cosmic concepts. But this isn’t just a concept dreamed up by magicians in the 20th century.

Many mystics throughout the ages have also realised that archetypes are universal. For example, there were many different local religious traditions in ancient India. The ancient priests noticed recurring themes, deities and practices in these traditions, and concluded that many of these deities must be ‘avatars’ of the same larger deities.

And so they made extensive study of these and categorized them. They imagined that there was one single Divine being, and it expressed itself as a few larger Deities. All the deities that were worshipped in the world (as they knew it) were simply avatars of these deities, and then those deities were further avatars of even bigger dieties.

Pretty much the exact same process occurred in other polytheistic cultures like Egypt and Rome, where all the various Gods and myths and cults were identified as different aspects and manifestations of a core pantheon of a dozen or so deities, which in turn were identified with about 3-5 major deities. And when foreign deities were encountered, they were identified with one of the existing deities. This was an early recognition of the concept of universal archetypes, and is called syncretism.

The ancient Hebrews took this a step further, and actually recognised the conceptual nature of archetypes. For example, there were many ancient Semitic deities. Many of them were called as Ba’al (lord) or YHVH (god). You see, YHVH is not the name of a specific deity. The word is a title for a ‘male God’. Their female consorts were called ‘ASRA’, which roughly translates as ‘Wife/consort’.

The Hebrews concluded that all these deities were simply different aspects of the same God/s, and they referred to this simply as ‘Yah’ or Yehovah, meaning Father or God. And so they decided that instead of worshipping many separate deities, they would categorise them and worship the category (archetype) itself. Instead of separately worshipping many Sky fathers or War gods, there would be one primordial ‘Sky Father’ (YHVH) or ‘War God’ (ELHIM GBOR) deity. Since they were concepts, not deities, they were left without name and appearance. Eventually, all 10-12 concepts became identified with a single Divine force.

Now they did end up demonising all the other Gods in the process, but they did have the right idea. It’s just that they thought this made their religion ‘better’ and that the other tribes were worshipping false Gods, which over time became perceived as demonic.

Hopefully you see now that archetypes are not a modern concept. Even before Jung, it was noticed that spirituality and religion were universal expressions. Cultures separated by hundreds of miles would have common spiritual expressions, since these are born from the psyche itself.

This psyche is the child of Nature. It is most of who and what we are.

The Masks of the Cosmos

When magicians encounter the Cosmos, we project our psyche onto it.

The psyche is a perfect Microcosm. It is a reflection of the complete Cosmos, and the Cosmos a reflection of it.

When you cast the circle, you are establishing a symbolic Order. It is ruled by the Sun, the bringer of Light and the Heroic Ideal. The circle itself is ruled by Saturn, the Lord who binds the Universe, and rules boundaries and separations. Beyond the magick circle is the symbolic darkness, is the Chaos, the Mother, the Unknown, and she is the Moon, who reflects the light of the Sun, but also at times becomes entirely dark.

She is the Cosmos in all it’s splendor. And when you invoke the Gods beyond the circle, they are in reality masks worn by the Mother of the Cosmos, just as you yourself are a mask worn by the Father.

But what is the Unknown, exactly? It is wildness, it is animalism. Religion can shun and be afraid of it, but the Horned wild ones are always there, always lurking, waiting for us to take the first step.

One comes into this world surrounded by symbols. We are kept safe within our culture, content to believe in the world as we know it. Even in a chaotic and uncertain time, people will often fall back on something they can rely on, even if it’s a fallible ideology. The forces of Light protect us, discipline us, and prepare us for the world. They are like a bulwark against fear and death.

But the Nightside beckons always, and always it is feared by the many. The magician is the one who looks to it, and at first it glistens with brilliance. Think of how Nature is portrayed in media, as peaceful, gentle and exotic. And it is this shining call to adventure that first draws the magician out of his shell, into the Unknown. He takes on the mask of Horus and follows his Mother Isis to reclaim his birthright.

But then, as he begins to take the Light into the darkness, leaving everything behind in a youthful impulse, suddenly the Mother disappears, and the magician realises with horror what awaits him. For he sees that the Cosmos is cold, harsh and that her laws are absolute. Isis is lost, and Horus is alone faced with Set, the fury and power of the Cosmos itself, which brings it’s entire arsenal against the young God. And here Horus is blinded, because the malice he faces is too great, too powerful and beyond his imagining. And thus he is banished into the desert, where he must wander alone and lament.

But there, Horus finds Hathor, his love, and must make himself worthy of her. Now there is no Isis to protect him, and Set comes ever closer to destroy him. And so here he must delve into the Underworld, which is yet another part of the Unknown. And then the magician sees that the Cosmos he perceived before was just a surface level illusion, and that Her true secrets lie in the darkness, in the crypts and caverns hidden from view, down in the Infernal Empire where there is only confusion.

But Horus must descend. He must pass through the Temples of Darkness unscathed, and he must resist their temptations. He must master their forces. And there, at the lowest point, lies the Sarcophagus of Osiris, his slain father. And now the Cosmos reveals her final mask, as Horus makes the ultimate sacrifice of love to revive his dead father, who returns and the whole of the Underworld is filled with Light, and it becomes a gateway to world beyond. And here the Cosmos shows herself as Osiris reborn!

And only then can Horus truly call himself a Warrior, now worthy of facing Set one final time, and this time he shall succeed, having the whole of the Cosmos assist him in his efforts. He shall succeed and be crowned King! And in this way the Mother reveals her triple aspect. In Pagan witchcraft, this is the Goddess Hecate as Virgin, Crone and Bride. In Tantra, this is the Goddess Shakti as Parvati, Kali and Durga. This is why Tiamat, and Ishtar were represented being half dragon.

The Cosmic mother is the sparkling lady of stars, and yet she is also a serpentine dragon who turns one to stone with a single gaze of her glowing eyes. But if one should stand firm under Her gaze and kneel before her power, she is the radiant and mighty Queen of the Heavens.

It represents the nature of reality at the most fundamental level. It shall be understood that just as here the analogy of the Mother, of Cosmos, and Nature refers quite well to the Human psyche. The Underworld is the Subconscious.

All symbols which surround us as masks worn by the Mother. And the Individual is the Mask of the Father, which shifts and varies also. Magick is the dance of these forces in passionate romance. The magick circle is a symbolic whirling of Light and Shadow, of Fire and Water, which merge and mingle together. And where they meat, the whole of Reality manifests in the conscious perception, which is Airy. The Line which separates the Inner and Outer reality is ruled by Saturn for a reason, since Saturn is ‘The Lord God’, the highest Ideal, the Law, the Reason and the Judge, which is created by the union of the Father and Mother (Order and Chaos/ Culture and nature), which are the also the Son and the Daughter (Sun and Moon).

The impulse to drive the circle outward into Chaos, to expand the Order is ruled by Mars, while the driving forth is towards Venus, his lover who dwells beyond the circle. And Jupiter rules the balance of these forces, while Mercury causes the cosmic dance to go faster and faster, dissolving the boundaries until there shall be only Unity. Sammadhi. Apokalypsis. Gnosis.

The Sacred Feminine

It is often common for magicians, especially ceremonial magicians, to focus too much on the Sacred Masculine. That is to say, to get lost in one’s abstractions and theories. In a hastiness to describe and understand and categorise all the spiritual phenomena, the magician can fail to experience the Unknown even as he walks in its midst. This is the problem with those who ‘have an answer for everything’.

Having absolute surety in everything is masuline, yes, but it is not Sacred. The impulse to expand Order is masculine, but unless it is complemented by the feminine, it is simply a mental tyranny. It is nothing more than ineffectual theories and worldviews which often do not have any basis in reality.

Similarly, some do focus too much on the feminine, but this is rare. This is for those who jump straight into the Chaos and completely disregard all culture, all tradition and indeed, civilisation itself. Here there is only insanity, and many magicians do suffer this fate as well. This insanity is feminine, but it is not sacred. Without the masculine, without a symbolic structure, it is simply a endless void which will consume one’s soul.

The Sacred feminine, then, is Nature. Our true Nature. We, often living inside our own heads, neglect our nature too often, as we do our impulses, our bodies and our emotions. We like to act that we are entirely a product of our own Will and choosing. We like to behave like we can think our way in and out of everything, and think our way to truth and happiness, and explain everything away with thought.

As if millions of years of evolution has no effect on us. As if we can somehow ‘think’ away or ‘will’ away ancient impulses, behaviors and emotions. Our animal instincts towards sex, hunger, and aggression. The traits of our ancestors, their diets, lifestyles and instincts. The way our body works, the way it is meant to move.

And then we wonder, why we are all always so tired and depressed. The Sacred Feminine is not an idea or thought. It is awareness.

Notice your body right now. Is it not aware? Is there not a feeling and awareness from head to toe? And yet, it is not thought. Your hand is aware, but it does not think. Your heart is pumping blood, but it does not require your will.

Are you not aware of the world around you too? How often does one notice the world, and really engage with it. How often is one not thinking about what one has to do, dwelling on pointless and chattering thoughts?

To do true magick, we develop not just a strong Will and Moral compass, but also an Awareness. We also have to tap into our drives and instincts, to become one with the body. We also have to learn to feel our emotions and sensations fully and freely.

To those of you who ask how to learn to feel and sense energy, and perceive spiritual phenomena, this is the answer. Only when we learn to flow with energy, to flow with the world, does the Mother reveal her secrets. For this we do meditation, where we learn to maintain awareness and breathe deeply. We practice mindfulness, and Qigong/ Yoga, so and we become in tune with our bodies and surroundings.

This is the secret also, behind many of the gestures and motions found in magick ritual. They are not mere gestures and salutations that one must memorise and perform, but ways to draw on and direct energies.

And these powers are also developed through suffering. As we discussed before, Nature seems inviting at first. But the moment we leave our mental abstractions and fantasies and engage with Her in reality, we will suddenly be faced with the absolute and inescapable fact that life is suffering. Living in the mind is simply a coping mechanism to numb and relieve this pain.

But if we engage this pain fully, push through it, and learn to endure it, then one’s own spiritual powers shall be developed. A warrior cannot train in his garden forever. Eventually they must face real battle, which will be very different, and only many battles can make a true warrior.

Archetypes are not thoughts or concepts, but the Fundamental principles which govern the Universe, the highest Meta-Gods. To stop living in one’s head will also involve slowly learning to not rely on one’s symbols, and by extension the Gods. Because the Gods certainly are here to help us, but you shall have understood by now that we rarely engage with the Gods directly. Instead, we engage with an ‘image’ of them, created within culture and passed on to us through religion. Too often, magicians are unwilling to alter or expand their various traditions and schools of magick. But then you should have stayed nice and safe within mainstream religion. If you’re going to make the effort to come this far, you may as well take the courage and open up that shell.

Stop being so quick to judge other magicians, to categorise their and your own expereinces, to decide what you agree or disagree with. Stop being to quick to make up your mind or project yourself onto others. This closes the aura to the actual world outside, to reality and to the outer Gods.

And when you invoke the Gods with an open mind, you will begin to see them outside the frameworks you are stuck in, and they will come as they really are. And when one has the recognition that the Cosmos within is mirrored in the Cosmos outside, there will be no fear and uncertainty.

One who understands that by controlling the mind, one can control one’s entire reality, and that everything in one’s life is the result of their own Mind, shall never lose their way or get lost. And if this isn’t obvious, and if you still look for the source of your problems in the world outside, and cannot understand why the World is unfair and cruel: seek the Underworld. There, in the subconscious, are all the problems you cannot seek. Set them right, and the world shall follow suit. Awaken the Father who was slain, and the Mother shall reveal herself in new glory. And this requires sacrifice. Let the first be to embrace the pain, and face the world and life head on.

And although in the last post I told people not to wait for Utopia, that does not mean give up hope. Change is coming, and change HAS come. Look around you, and you will see the world is rapidly changing. So have hope, the world will get better as a new age dawns. But remember that even in the new age, you’re the magician. You’re the one who directs the forces of your life.

That shall be all for this time. I hope you found it helpful and gained some insight. Remember, you do not have to agree or disagree. Just take it as it comes. We all do 🙂

Until Next Time
~White Raven

Making Real Fairy Salve

September 8, 2020October 16, 2020Tagged alchemy, Angels, demons, elementals, fae, fae folk, fairy, fairy salve, herbology, hermeticism, kabbalah, magick, Occult, ointment, paganism, psychic, ritual, spirits, thelema, vision, witchcraft7 Comments

Hello, and welcome back.

First off, I want to make a quick announcement. Thank you to everyone who purchased The Tree of Life: A Beginner’s Guide. The sales have been good enough that there’s a good chance I will release another e-Grimoire before the end of the year.

I understand that these are difficult and confusing times for some, and as far as I’m concerned all this will continue for at least several more years. This first book was introductory, but from now on I shall focus more on practical magick that can be done to improve one’s life and find one’s path.

But let’s move to today’s topic: Fairy Salve, and how to make it for spiritual and occult purposes.

The Story of the Fairy Ointment

The idea of “Fairy Salve” or Fairy Ointment comes to us from English and Celtic folklore. It’s essentially a folktale.

Like many other stories of its kind, it was most likely the result of strange encounters with some kind of occult phenomena.

There are many variations of the story, but in general it goes like this:

A nurse/midwife is visited at midnight by a strange looking man at her doorstep. He tells her that his wife is too ill to give birth alone, and he needs her help. The midwife is suspicious, but goes along with him in his horse drawn carriage, to his home.

There, she helps deliver the child, and cares for it while the mother recovers. She is instructed by the mother to rub a certain ointment on the baby’s eyes when it wakes up.

In some versions of the tale, the baby is anointed all over its body. Anyway, the baby opens its eyes, and the midwife notices his pupils are large and oddly shaped, almost like slits. But does as she was told, rubbing its eyes with the ointment. Either by accident or out of curiosity, she rubs some of it on her right eye, and immediately her surroundings change.

The small cottage is transformed into an elaborate or luxurious castle. In some versions, it turns into a dank (haha) cave. The midwife sees the child and its mother have turned even more beautiful (or ugly, in the cave version). She sees the baby’s siblings, who also have a strange appearance, playing around and doing all kinds of mischief, and realises she is in the home of pixies.

She doesn’t say anything, and when the father returns she demands to be taken home immediately. She sees the horse that draws the carriage is now pitch black with burning eyes. Upon returning home she is given a large payment. Some days later, she is at the market and sees the strange man, tha father of the baby, at the market. He’s taking whatever he wants from various different stalls, though no one seems to notice.

She immediately calls him out on it for stealing, and he is surprised by this. He demands to know if she can see him, and she says yes (famous last words). In response, he accuses her of stealing as well, and getting involved in things that aren’t her business. Reaching out, he touches the affected eye, saying she wont be seeing fairies anymore. Her right eye is then permanently blinded.

Some versions of this story also involve the nurse being kept prisoner by the fairies until she is recused by her husband. In other versions, she finds the salve in the home of a suspected witch, and later finds the witch’s husband stealing at the market, who then blinds her.

The Fae and English/Irish Folklore

To make fairy salve, it’s important to understand the context of this story. The main takeaway is that the Fairy Salve was believed to be an ointment that helped you see spiritual or otherworldly creatures. From the story it seems even the creatures themselves needed to use it, which is interesting.

Generally speaking, you may be familiar with the friendly and helpful fairies that appear in Fairy Tales, such as those in Cinderella or Snow White. However, all of those stories are German. In this case, we are not referring to the Fairies from the German “Fairy” tales.

Then you might be thinking of the Elves, Dwarves, and other such mythical creatures, with pointed ears and a proud disposition. However, those are from Norse mythology, and this is not the place to get into those.

In Irish and English folklore, the word “Fairy” essentially referred to Spirits that lived alongside humans. This is not referring specifically to good or bad spirits, but rather a vast range of creatures. These are similar to what the Greeks called Nature spirits, or what the Japanese called Ayakashi, and in India they are called Yaksha. While the Norse use a different system of classification, some of their spirits are part of this category. The same can be said for the Arabic Djinn.

Put simply, these are not Gods, nor Demons, nor Angels. In Magick, they are often given the title of Elementals. The main thing to remember is that they live alongside humans in this material plane, not in some place beyond.

The idea of such things has been around ever since humanity started living together in settlements and communities, and staying separate from Nature. At the edge of Civilisation, where human life met the raw forces of Nature, people had strange experiences and thus the idea of the nature spirits came about. Many legends and folk tales refer to a time when these spirits lived with and mingled with humans, but then the two groups fell apart (referring to how humanity became separate from nature). In most cultures, this referred to the spirits of the trees, rocks, deserts, rivers and mountains. Some could be vast, dwelling in mountains, some small, dwelling in grains of rice.

This belief is called Animism, and was/is a part of ‘primitive’ cultures: the idea that everything has a spirit of it’s own. In other cultures, particularly after organised religion came about, people only began to think of these spirits as dwelling in wild places, such as deep in the desert or in unexplored parts of forests. Whether they are friendly depends on the culture, region and geography.

In almost all cases, animals themselves were also considered to be a part of this category. The most well known examples are Native American and Siberian shamanism, where animals are just as much spirits of nature as any mythical creature. To us in our modern societies, this may sound strange, because we have documented animals so well, and even tame and breed them regularly. But to our ancient ancestors, most animals were as strange and magical as any fairy or nymph, not to mention the large number of dangerous wild animals that could attack and kill humans.

Even now, look at the kinds of things we are discovering in the deep sea, which are completely strange and contrary to our expectations. Look at videos or pictures of these things, and see if you don’t feel a sense of mystery, wonder and even fear.

Various cultures then, established all sorts of rules and regulations about how to deal with Nature Spirits, and how to respect their boundaries. This was not mere superstition, but also served to protect people from wandering into the territory of bears, tigers or lions. It kept them safe from various natural phenomena they did not understand. For example, to keep people indoors after night, away from forests and lakes, or to have them stick to roads and not venture off course, to be wary of strangers, to avoid the spread of disease etc. In magick we understand that “as above so below”. Any event occurring on the material plane has a spiritual counterpart, and you will see that all these things that people were afraid of were indeed “Spirits of Nature” .

To those who like films, I highly suggest the 2004 film called The Village. Don’t read any reviews or summaries, just go and watch it. It may give you something to think about.

In England, Scotland and Ireland (and Wales), these were often called the ‘Fae’ (fair folk). “Fair” here means beautiful, not ‘pale’.

Some fae were helpful, some were malicious. The most common distinction I’ve found is between “Night” and “Day” Fae. The Fae/Faery played an important role in the daily lives of people (even more than Gods) and therefore having a good relationship with them was important, as well as keep them at a distance. While the Fae were helpful, they could also be mischievous. They are forces of Nature, and i’m sure I don’t need to tell you that Nature does not always act as humans would like it to.

The fundamental thing to understand is that the Fae weren’t ‘good’ or ‘bad’, but that each things had its own purpose, and acted according to its nature. That is perhaps the greatest difference between modern and ancient humanity. Our ancestors lacked the means to control their lives and environment the way we can. As a result, they were not so arrogant and proud. They understood that Nature had its rules, and they had to live according to it. Things like fire were helpful, but if used incorrectly, they would burn you. Things like controlled gas stoves (and now electric ones) have been around for a century or so, but humanity have walked the Earth for over 200,000 years in its present form. When people were blessed with good fortunes or wealth, or when they had a good harvest, it was because they had been blessed by fairies. But when children went missing, when people died of disease or got lost in the woods, it was also fairies.

After the advent of Christianity, the Church struggled to reconcile these beings with their Scripture. It is well known that while several regions of Western Europe embraced the Chruch, the Irish stubbornly insisted on bringing along their pagan legends and folk traditions (ironically, hundreds of years later it would be the opposite, and the Irish would be hated for refusing to leave the Church and join the protestant cause. Ah..the joys organised religion).

The best answer the the Priests could give was that the Fae were somehow “fallen” creatures, similar to fallen angels, and that they must be feared.

Now, it must be clear why the Fairy Salve story has different versions. The version where the pixies are beautiful and live in a castle is probably the original, while the one where they are ugly and live in a hovel is post-Christian.

We could go on and on, but this is a very extensive topic. So I’ll cut it short with some thoughts on a certain famous occultist you’ve probably heard of: William Shaksepeare.

Yes, Shaksepeare was a magus. He was also associated with John Dee (yes, THAT John Dee, noted astrologer and alchemist, who created the Enochian language and tablets along with Edward Kelly, and who served as a spy for Queen Elizabeth).

You see, Shaksepeare was quite a radical individual for his time (like all Occultists). Though today we think of him as ‘sophisticated’ and his works are considered ‘classics’, they weren’t so when he was alive. The language he uses, which now is seen as posh, was actually a bit crude for his time. While he wrote a lot of historical plays, he also threw in spirits, ghosts and other random shit. He was like a 14th century Kurt Cobain. Naturally, it was this radical spirit that made so many love and appreciate his work. Contrary to what some may tell you, society does value and respect free thinkers, especially those who produce creative works.

To anyone who’s read his work, you can see the very clear presence of fairies. The most notable is probably The Tempest, which straight up has a sorcerer who has bound an elemental spirit to him. It is strange to say, but we don’t actually have many written records of what medieval British and Irish people thought of Fairies. Our modern perception of the Fair folk is greatly influenced by people like Shakespeare. This includes the notion of Titania and Oberon being the King and Queen of Fairies, of their general humanoid appearance and attitude.

Honestly, to make a full and complete deconstruction of the exact sources of modern fairy lore would be quite difficult, to put it lightly, so let’s cut it here.

Creating Fairy Salve

I have created this substance only twice. The first was by a pagan method (I was still new to magick and very experimental), the second by a kabbalistic. Both worked extremely well, and I shall outline them roughly.

What is the purpose? Well, it is both a ‘offering’ to be made to elemental spirits, as well as an anointing oil that can aid psychic perception during ritual. Simply put, it will help you sense spiritual phenomena during any sort of spiritual working. This idea is neither new nor limited to the British Isles, and there are several medieval grimoires that call for anointing the temples and eyes before a magick ritual (most commonly the Oil of Jerusalem, which is a certain type of enchanted lamp oil).

The Pagan Method

The pagan method will appeal more to neo-pagans, shamans, witches and the like. It takes longer, and can be easily personalised.

The basic idea is to saturate an oil with herbs, and bless it with the forces of nature. Since elementals/Fae are meant to live alongside humans, this recipe calls for herbs that have been collected from one’s own garden. It doesn’t matter which herbs you pick, but ideally it should be something you grow. Maybe choose the oldest plants you have, or those that appear to have a magical connection. You may also look into the folklore of your region, to see if any herbs or plants stand out as being associated with nature spirits.

You need to pick a time for this, and I would suggest the full moon. Or just the early morning of an auspicious day. Select a certain number of herbs. Perhaps 7 different varieties, and 3 of each?

Next, you must choose the oil. Since we are trying to make a ‘salve’, it’s a good idea to choose something that is more like a paste rather than a complete liquid. Coconut oil or ghee (clarified butter) are good, because they harden when cold. If you plan to burn it as an offering, make sure it’s flammable. If you cannot get these, you can use any normal oil. However, I do suggest going to the effort of procuring these, because this and the herbs are the only two ingredients needed, the rest is magick!

You may, if you want, add some salt. An enchanted salt, or mineral salt is good. Salt is used by many neo-pagans for protection from negative influence.

Put the chosen oil in a steel container, and then put it in a larger container filled with water. This is just a general guideline for heating any kind of oil. If we put the the container with the oil directly on the fire/stove, it will ‘cook’ the oil. In some cases, it may even vaporize the oil. Therefore, we use a water bath, to avoid burning/cooking our ingredients, and also maintain the temperature at 100 degrees Celsius.

Fun fact: This set-up, though very common in modern kitchens, is said to have been discovered by an alchemist. It was a Jewish adept from Alexandria called Mari the Prophetess (1st-3rd Century C.E.). Hence, this set up is known in alchemy as the balneum-Mariae (Bath of Mari).

Bring the water to a boil and allow the oil to heat up. As it heats, you add your herbs, either grown up or just broken up by hand. You can say a prayer at this point to any Gods of your choosing. When I first made it, I had prayed to Diana, a form of Venus and a prominent pagan goddess, and Pan, an important pagan deity for all works concerning nature and the wild. Diana is also considered to be the Goddess that is worshiped by the fair folk themselves. I do not remember exactly why this is, but I think we have Shakespeare to thank for this as well. Use a wooden stirring rod for mixing (never use iron. Steel is acceptable, but not ideal). Mix slowly, on a low heat.

Finally, when you feel the herbs have been fully saturated with the oil (10-15 minutes of heat), take it off the heat and leave it to cool. Do not cover it until it is cool. You may cover it with a cloth, if you have to.

The first process is done. The mixture has been prepared using the four elements (herbs picked from the earth, heated with fire and water, and cooled by air).

The elements are done, and we move on to Darkness. Put the mixture in a closed, opaque contained, and leave it sitting in a cool place where it will not be disturbed or be exposed to the light. Since this is a pagan method, you can also thrown in any consecrated crystals or other objects into this.

Here, the substance is blessed by the forces of darkness, whose blessing is essential so that obstacles and challenges are not faced in the future. Ideally, this should can sit for at least a week, but probably for longer. You’re waiting for the full moon. However, let it be no longer than a month, to avoid rotting or decay.

On the day of the full moon, you shall filter out the herbal components, and put the oil in a clear glass jar (plastic works too). These are no longer needed and can be discarded (ideally thrown back into the soil to decompose). Be sure to remove any stones, crystals or object you’ve put in.

Now begins the consecration by the four elements and Light (both of the Sun and the Moon). On the night of the full moon, put this jar in a container of water, and leave it outside or by a window. The water should ideally be from a natural source, such as a spring, river or from rain. When I was doing it, I did a ritual to make it rain, which worked (this was the very first time my magick had worked on such a grand level, and the single most important event that cemented by spiritual faith permanently). If not, then get some drinking water (do not get water from the bathroom sink). If you have enough, this water can also be used for the initial water bath.

It’s good if it’s directly exposed to the moon all night. But, since this is difficult for many people, it’s okay as long as it is outside or by an open window, where it can be hit by the wind. Say a prayer to the Moon if you want, and to the Fae of the Night to bless it.

Here, the salve is being consecrated once again by Air and Water, as well the Moon. Leave this overnight, from Sunrise to Sunset.

The next Day, at Sunrise, take this jar out of the water and put it in the ground. Do not bury it completely, and make sure the top is sticking out. You can also use a planting pot, or just a container with dirt in it. You also need some incense. The way I did it, is half buried the jar in an empty pot, then covered it with a larger plastic container with a incense cone next to it. This ensured that the smoke actually touched jar instead of just blowing away. Leave this in the sunlight until sunset. Call on the Sun and to the Day Faeries for blessing it.

The salve is now being consecrated by the Sun, by Fire (incense) and Earth.

When I first made this, I was lucky enough that the Full Moon was on a Monday, and immediately following a Summer solstice on Sunday. The second part of the consecration was on Tuesday. Don’t obsess over timing, but it’s good if you happen upon such an auspicious time.

Now, at sunset you take your jar, draw upon it a sigil that represents spiritual sight, or something else that is relevant. You’re free to create this sigil however you want, or choose a symbol that already exists and is important to you. You may even use the symbols of any Gods you worship.

At night you will conduct a ritual where you shall call upon the power of the forces of nature to bless and complete the Fairy Salve. A good set of deities is Diana, Pan, Titania and Oberon, and maybe even Gaia, the Earth Mother. Titania and Oberon may be seen as essential, since the substance is made by their authority. It’s a good idea to give some offering as well (candles, milk/honey, fruits etc). State the purpose of the Fairy Salve, and you’re pretty much good. When the ritual is done, thank the forces involved and clear your space. Your Fairy Salve is done. Use it as an offering, and anoint your temples and eye lids before a ritual.

As we discussed before, a good way to offer it is to burn it in a traditional oil lamp.

The Kabbalistic Method

For this method we are going to follow a similar, yet different approach. It is better for those who want to make the Salve more quickly, but don’t mind putting in more work. Ideal for kabbalists, thelemites, rosicrucians and hermeticists.

The Pagan method has relatively simple instructions, because much of the work is begin done by the spiritual forces of nature over a longer period of time. Here, the work is done mainly the the magician him/herself.

Once again, we begin by collecting the herbs. Once again, it is good to collect garden herbs, or herbs in your kitchen. We shall select 7 different varieties of herbs, once for each planet.

For this you must do your own research, and see which herbs are more commonly available in your region. I could give you an arbitrary list, but it would be better to make your own list. You can easily find the planetary rulers of most common herbs online. Ideally, pick herbs which has some association with psychic senses, nature spirits or magick. The variety of herbs needed for fairy salve are what make it more complex than your usual magick oils for things like prosperity or love, which usually only need a few herbs of any single planets.

Let’s say this is too daunting a task. In that case, you may select only herbs associated with the Moon, since the Moon rules psychic powers and visions. You also need Frankincense (or some other sweet smelling resin that can be melted). Just look for powdered frankincense, which should be easy to find, as it is commonly used as incense. If you can’t, do magick to get it.

Next, we pick a base again (ideally coconut oil or ghee, or something similar, which hardens when cold. This is not compulsory, but these are easier to rub on your eyes. Whatever you pick, ensure it smells nice and is pleasant. After all, why would you offer something repulsive to the fair folk? So no, don’t go busting out the mustard oil). We do this on Monday, in the hour of the Moon, during the waxing phase.f.

We now prepare it again, as we did before, in a water bath, adding in our broken up ingredients into the heating oil. As we stir it, we visualise white light comic from above and saturating the mixture.

We once again let it cool uncovered. The mixture has once again been blessed by the four elements, and you must offer a silent prayer and thanks, for these four elements make up the mechanistic Universe as we know it.

You shall take the mixture and pour it into an opaque container, so that no light may touch it. Having done so, draw upon it the symbol of Saturn, the bringer of Death, the collector of Dues. Place it in a cool dark place, and visualized a deep and complete darkness surrounding it, purging all that is unneeded.

Planetary symbols for your reference. These will be used throughout the Kabbalistic method. Beginning from the top left, the symbol of: Sun, Mercury, Venus, Moon, Earth, Mars, Jupiter, Saturn, Uranus, Neptune, Pluto

The mixture shall now be left untouched over night, where the herbs shall give up the last of their essence. The next morning, awaken at sunrise and thank the lord Saturn. Erase the symbol from the container, and open it. With a solemn and serious heart, filter out the herbs. Heat the mixture again in a bath, and now add it your frankincense. Let it remain in heat for as long as it takes the powder to melt dissolve. Do not add large pieces of frankincense, as these will never dissolve. Everything must be finely powdered. When it is done, take it off the heat and pour the mixture into a clear glass jar and seal it shut. This shall serve as the philosophic egg, where the mixture shall hibernate. Be sure not to add the mixture if it is too hot and the glass is too cold, since the glass may crack.

Take the mixture outside and lay it to rest in Earth. Do no bury it completely, and let it’s top stick out, so that it may breathe the life giving Air, and lay before the radiant light of its father (Sun). In the soil around it, trace an upward pointing triangle (Fire) and draw on each point, the symbol of the Sun, Venus and Jupiter. Pray that, by their benevolence, they may awaken the spirit within. Now you shall mourn it’s passing, and offer a silent plea to the Spirits of the Day, to impart their blessing on it.

At sunset, you shall go again to the place of the burial, and erase the planetary symbols. Now trace a downward triangle (Water) around it, and draw the symbols of Moon, Mercury and Mars around it. Pray that they, by their harshness, by invigorate the spirit within the salve, and purge it of all impurities. Offer a silent plea to the spirits of the Night, that they may remove any obstacles in the working to be done. The ointment is in darkness again, but this time it has the guiding light of its Mother (Moon). Now leave with a hopeful heart, praying for the success of your working.

The next morning, awaken when you may with a happy and joyous heart. Wash your body and go to the place of burial. Remove any remaining symbols and offer heartfelt gratitude. Take the jar and clean it by submerging it in water (making sure no water gets in), and then cleanse it with incense, thus removing both physical and spiritual impurities.

Draw upon it the following symbols: Around the circumference, you shall draw the symbols of the four elements. At the bottom, draw the planetary hexagram, and on top of the lid, draw a pentagram. On either side of it, the symbols of Uranus and Neptune, and the symbol of Pluto at the bottom. Reflect for a moment, on a purpose of this ointment.

Now do a ritual of consecration. Begin with the lesser banishing ritual of the pentagram, and the banishing ritual of the hexagram. As you say the last words, IAO, visualized brilliant white light streaming from the heavens into the jar, and saturating the mixture within. You may also use any other rituals that are used in your own tradition. These are simply the ones I use.

Close your eyes and meditate with the jar in hand, and make a prayer to the Elementals of the four quarters. Pray to the the elementals of Fire and their Ruler, and trace the Invoking pentagram of Fire with your finger on the jar. Do the same for Water, Air and Earth. The spirits and Kings are named thus:

Element	Name of Elementals	Name of Ruler
Fire	Salamandars	Djinn
Water	Undynes	Nycksa
Air	Sylphs	Paralda
Earth	Gnomes	Ghob

For example, “I call upon thee, oh great Paralda, to bless this jar of ointment. I call upon thy kin, the Sylphs, to lend me their power!” Then trace the Pentagram.

The Pentagrams traced should be visualised as red, blue, yellow and green respectively. When you feel the ritual is done, give thanks and welcome the elementals into your life. As them for their favour, and give offerings often. Warn them regarding mischief or harm towards any living thing.

Now give your heartfelt thanks, perform the Lesser Banishing again and you’re done.

Now you may make a small offering of thanks that very night. You can leave some food or drink outside in your garden and balcony, and call on the Faeries/Elementals to partake. Leave it overnight, throw it out the next day. To test the efficacy of your Ointment, apply some on your temples and eyelids. You should feel its power immediately, and enter into a light trance. If you do not feel it, then it is possible the mixture is not charged enough. It can be charged by leaving it on an altar or meditating on it. Remember, if your psychic senses are not fully developed, you may not immediately see spirits. However, this will strengthen your psychic sense greatly. Do not obsess over being able to physically see the spiritual beings you are invoking. If it has to happen, it will happen in time, when you are ready.

In Conclusion

I know, the rituals seem extensive, but they’re actually a lot quicker to do. It actually takes longer to describe them than do them. You’re free to omit any parts you feel like, or add any of your own, or mix and match as you please. It can be as simple, or as elaborate as you want.

I mean, you could simply take some random oil, dissolve some moon herbs in it, bless it and call it a day. But the amount of energy put into magick determines its result. If you can muster up all the energy needed with a simple prayer, go right ahead. But most will require rituals to build up the same energy. Like everything on this blog, the process if described to be extremely friendly to people who are new to magick. Those who are more proficient are free to use what they need and discard what they don’t (although going through the whole process will only generate more energy).

I mean, the second time I made the ointment, I did not do any prayers or mourning, nor did I trace the triangles. That’s because when I buried my jar, I was able to mentally call on the aid of the planets. But for many others, the visual aid will help greatly. Some people may even go a step further, and place objects associated with the planets around the jar.

It is up to you when you make offerings to the Elementals. You can use the Fairy Ointment during any sort of ritual where you need to invoke them or their rulers. It may be a good idea to make an offering of this ointment every Solstice and Equinox. At least on the both Solstices.

So there you have it, I have finally answered what is probably the very first question I was ever asked by a reader all those years ago.

Until Next Time
~White Raven

The Best Way to do The Bornless Invocation

July 1, 2020July 2, 2020Tagged Angels, Ars goetia, bornless ritual, demons, egypt, evocation, goetia, golden dawn, hermeticism, high magick, invocation, Invocations and Expereinces, kabbalah, lesser key of solomon, magick, mathers, Occult, ritual, solomon, spirituality, summoning8 Comments

Yes. I know. This is the first time I’ve made 3 continuous posts without a 6 month gap between them. You must be so proud.

Before we get to today’s article, I have an announcement to make. This Full Moon, I’m releasing an E-grimoire, which will be the first of hopefully many on specific topics. It’s going to contain a lot of theoretical, and practical information along with diagrams. More on that later, but look forward to it. If you’re reading this after June 2020, chances are it’s already out. Check the ‘Books’ tab on the top bar.

On this blog I have two types of visitors. The first are people who are curious about the Occult or just starting out, and come by to read about my experiences with summoning demons, explanations of the pentagram or simple spells. Then there’s those who are experienced Occultists, who can put up with me rambling on and on about specific Sephiroth and Gematria values, and understand every word perfectly. At the very least, anyone who reads this blog has made the choice to learn about and hopefully practice the true magick of the Light, free of superstition, danger and shallow spiritual thrills.

What I’m writing about today may attract people who are so new to the Occult they don’t even know it’s the Occult. To them I say, keep an open mind as you read, and don’t stress about not understanding some things.

I know this because the Bornless Invocation was my first foray into the Occult. While I had some exposure to new age stuff before, it was with this ritual that I was exposed to names like Crowley, Mathers, the Golden Dawn etc. Until then, I only thought of spirituality in the hippie sense. I couldn’t even grasp the depth of what I’d stumbled on.

It’s a bit strange thinking back on it. How something that has become an integral part of my life came to me when I was bored and randomly typed “how to summon demons” into Google. Fate perhaps, or just luck.

Today I’m going to go over a brief history of this ritual, and then tell you the most efficient way to perform it, at least according to me.

A lot of information on it online is from dabblers and armchair occultists, because few real practitioners of Magick actually use it in ritual practice. But I’m one of them, so let me give a clear guide to it, without the nonsense.

What is the Bornless Ritual

I’m guessing most people, if not all, came to know of this ritual from the Ars Goetia, which is the first part of The Lesser Key of Solomon. If you google it, you’ll find a lot of websites that basically copy paste the same ‘definition’, calling it the ‘prliminary invocation of the Goetia’. While that’s technically true, it gives off the wrong impression.

This is the most commonly encountered version of the ritual:

“Thee I invoke, the Bornless one.
Thee, that didst create the Earth and the Heavens:
Thee, that didst create the Night and the day.
Thee, that didst create the darkness and the Light.
Thou art Osorronophris: Whom no man hath seen at any time.
Thou art Iabos:
Thou art Iapos:
Thou hast distinguished between the just and the Unjust.
Thou didst make the female and the Male.
Thou didst produce the Seed and the Fruit.
Thou didst form Men to love one another, and to hate one another.
I am Ank F N Khonsu Thy Prophet, unto Whom Thou didst commit Thy Mysteries, the Ceremonies of Khem:
Thou didst produce the moist and the dry, and that which nourisheth all created Life.
Hear Thou Me, for I am the Angel of Apophrasz Osorronophris: this is Thy True Name, handed down to the Prophets of Khem.
Hear Me: Ar: Thiao: Reibet: Atheleberseth: A: Blatha: Abeu: Eben: Phi: Chitasoe: Ib: Thiao.
Hear Me, and make all Spirits subject unto Me: so that every Spirit of the Firmament and of the Ether: upon the Earth and under the Earth: on dry Land and in the Water: of Whirling Air, and of rushing Fire: and every Spell and Scourge of God may be obedient unto Me.
I invoke Thee, the Terrible and Invisible God: Who dwellest in the Void Place of the Spirit: Arogogorobrao: Sochou: Modorio: Phalarchao: Ooo: Ape, The Bornless One: Hear Me!
Hear Me: Roubriao: Mariodam: Balbnabaoth: Assalonai: Aphniao: I: Tholeth: Abrasax: Qeoou: Ischur, Mighty and Bornless One! Hear Me!
I invoke Thee: Ma: Barraio: Ioel: Kotha: Athorebalo: Abraoth: Hear Me!
Hear me! Aoth: Aboth: Basum: Isak: Sabaoth: Iao:
This is the Lord of the Gods:
This is the Lord of the Universe:
This is He Whom the Winds fear.
This is He, Who having made Voice by His Commandment, is Lord of All Things; King, Ruler, and Helper. Hear Me!
Hear Me: Ieou: Pur: Iou: Pur: Iaot: Iaeo: Ioou: Abrasax: Sabriam: Oo: Uu: Ede: Edu: Angelos tou theou: Lai: Gaia: Apa: Diachanna: Chorun.
I am He! the Bornless Spirit! having sight in the Feet: Strong, and the Immortal Fire!
I am He! the Truth!
I am He! Who hate that evil should be wrought in the World!
I am He, that lightningeth and thundereth.
I am He, from whom is the Shower of the Life of Earth:
I am He, whose mouth flameth:
I am He, the Begetter and Manifester unto the Light:
I am He, the Grace of the World:
“The Heart Girt with a Serpent” is My Name!
Come Thou forth, and follow Me: and make all Spirits subject unto Me so that every Spirit of the Firmament, and of the Ether: upon the Earth and under the Earth: on dry land, or in the Water: of whirling Air or of rushing Fire: and every Spell and Scourge of God, may be obedient unto me!
Iao: Sabao: Such are the Words!”

First things first though. The Lesser Key of Solomon is a famous medieval grimoire of unknown origin, claiming to have been written by King Solomon himself, but that’s probably not true. It was very common for medieval authors of grimoires to remain anonymous, and attribute their books to legendary figures like Solomon, Moses or Christ. This was partly to protect their identity, but also to separate themselves from their work. Most magicians even today write under a pseudonym (including me), so that people can focus on the information instead of the person.

The book has five parts, although most people only know about the first, the Ars Goetia. This is a list of 72 ‘demons’ who allegedly helped King Solomon (a Biblical figure who was a great King of Israel) build his Temple at Jerusalem. The book gives their seals, descriptions and various rituals to summon them. The book was compiled in the 17th century, although it is based on many older texts, such as the works of Johanne Weyer, Henry Cornellius Agrippa and Eliphas Levi.

And that’s what the book was for centuries. However, in 1904, a man named Samuel Lidell Mathers translated this work, along with several others. Mathers is an important figure within the Occult, one of the founding members of The Hermetic Order of the Golden Dawn (i’m sorry for so many long names right off the bat, but the quicker we get them out of the way the better. Many of you will already be familiar with these).

Mathers was the first to translate and publish this manuscript, and it was edited by his then friend and fellow Golden Dawn member, and the well known occultist who rose to infamy: Aleister Crowley. At the very beginning of the book, Crowley decided to add a rather peculiar ritual: The Bornless Invocation.

*A rare photo of Mathers and young Crowley together. This was when Crowley was initiated into the Inner Order of the Golden Dawn by Mathers.*

Now, understand that this ritual was not part of the original manuscript. In fact, i’m sure the original medieval authors of the Lesser Key wouldn’t even have known about this ritual. But, it was not created by Crowley either. The Bornless Invocation was originally in Greek, although if you look at its contents, you’ll see it actually has Egyptian origin.

It was most likely created by Gnostics, a mystery cult in era of the Roman Empire which would go on to become Christianity. Many Gnostics would have been Greek, and were heavily inspired and influenced by the Egyptian and Jewish mysticism making its way into Europe. That would explain why, despite being Greco-Egyptian, it appears to have Abrahamic language that we see in Judaism and Christianity, and why it places an emphasis on Osiris, whose myths and symbolism served as a basis for the Gnostics to create their own symbolism and tradition. Also, for the sake of clarity, i’m referring to the early Gnostics of the Roman Empire, who were basically proto-Christians, not the Cathars who were around almost 800 years later.

*Ancient Roman Gnostic Talisman. Notice the Egyptian God Anubis, holding a Greek caduceus, and meeting a Roman soldier. Notice the Six pointed stars in the Sky.*

It’s also worth mentioning, that in this version by Crowley, he added “I am Ank F N Khonsu Thy Prophet, unto Whom Thou didst commit Thy Mysteries, the Ceremonies of Khem“. Khem is the ancient name of Egypt, and Ankh F N Khnosu was a magickal motto used by Crowley.

In the older, Abrahamic versions, it is written as “I am Moshe Thy Prophet, unto Whom Thou didst commit Thy Mysteries, the Ceremonies of Ishrael“. Here, Moshe is the Hebrew name of Moses, and Ishrael is the fabled Holy Land of the Biblical Jews (not to be confused with the modern nation state of Israel. There is much overlap, but they’re not exactly the same thing)

The Gnostics probably used Jewish symbolism, but Crowley saw fit to make it Egyptian, based on its origin. As it should be obvious, this translation was made to be practical to ceremonial magick, and not necessarily accurate. Many linguists and historians have translated the ritual in various, more accurate ways since then, although none have the same flair as the GD version.

The dialect you see here is late Middle English, or at least, what people in the Victorian era (such as Mathers) thought Middle English was like. Hence why many words have suffixes, such as the term “flameth” instead of flames. Pre-classical English used to be language with almost as much beauty and intricacy as Sanskrit, Latin or Hebrew. This is the dialect used in many English versions of the Bible.

The reason Crowley chose to include this ritual in the Goetia, is because it calls upon the authority of the Most High. The term ‘Bornless One’ means that which is eternal, which has no beginning. In fact, a more accurate translation of the name would be “Headless One”. To us modern people, that name sounds scary. But to the Gnostics (and possibly ancient Egyptians), it meant something more profound. Having no ‘head’, means having no ‘Ego’. That which is ultimate and self realised.

The original prayer calls on Egyptian God Osiris (Asar). In the modern version, we see the term ‘Osorronophris’, which is a Greek distortion of ‘Asar un-Nefer’, meaning Osiris the Beautiful.

Osiris, King of Gods (Middle), flanked by his son, the God of War, Horus (left) and wife, Goddess of Fertility, Isis (right). The Jews would later depict this as the Mercy and Severity of God.

The Golden Dawn worked very heavily with Egyptian gods, so it’s clear to see why they would choose this ritual. It appealed to their highly Egyptian sensibilities and style of magick, while still retaining the Kabbalistic/ Gnostic imagery they were familiar with. Within the GD tradition, Osiris is often considered the highest God. Modern media presents him as some sort of underworld Deity. But when you realise that the ancient Egyptians believed the afterlife was under the Earth, not up in the Sky, this has much more significance.

Osiris was also the God of fertility (and Egypt was a largely agricultural society). The annual flooding of the Nile marked the Egyptian New Year, and it was linked to the rebirth of Osiris. But the most important thing for us, is that the Pharaoh was said to be the living manifestation of Osiris on Earth. Thus, he commanded authority over the entire Empire.

That’s what the Bornless Ritual is: authority. When you stand within the magick circle, and summon angels or demons, you do so with that authority. The performance of this ritual is the the proclamation of that authority, that has been granted unto you by the Divine (however you choose to think of it). Put bluntly: it is an Invocation of God, and in the magick circle, you are the God of the circle.

Structure of the Ritual

There are various versions of the ritual. However, for the practical 21st century magickian, this version is the most powerful and correct, as well as efficient. I present to you, the Bornless ritual:

The Invocation of the Bornless One

Thee I Invoke, the Bornless One!
Thee that didst create, the Earth and the Heavens!
Thee that didst create, the Darkness and the Light!
Thou art Asar-un-Nefer, whom no man hath seen at any time!
Thou hast distinguished between the Just and the Unjust!
Thou didst make the Female and the Male!
Thou didst produce the Seed and the Fruit!
Thou didst form us to love one another, and to hate one another!
Thou didst produce the moist and the dry,
and that which nourisheth all created life!

I Invoke Thee, the Mighty and Ineffable God,
Who dwelleth in the Void place of the Spirit.

I am He! The Bornless Spirit!
Having sight in the feet: strong, and the Immortal Fire!
I am He, the Truth!
I am He, who hates that evil should be wrought in the world!
I am He that bringeth the Lightning and Thunder!
I am He, who showereth life upon the Earth!
I am He, whose mouth ever flameth!
I am He, the begetter and manifester unto the Light!
I am He, the Grace of the World!
The Heart Girt of the Serpent in my name!

Hear Me, and make all Spirits subject unto me,
So that every Spirit of the Firmament and of the Ether,
Upon the Earth or under the Earth,
On dry land and in water, if whirling air and of rushing fire,
And every spell and scourge of God,
May be Obedient unto Me. Amen!

It is this version used by the OTA, a group founded by Mason and prominent ceremonial magician, Poke Caroll Runyon. The OTA omits the “barbarous names” and has no repetitions, and I agree with that. More on it later.

Also, I should mention, I changed “terrible and invisible God” to “mighty and ineffable God”. The words used in the original and OTA version are really bad, because most people have a negative association with the words “terrible” and “invisible”. Western ceremonial magicians frequently fail at separating their innate guilt and fear from this most sacred and beautiful art of Magick. It is up to you, but I suggest using my words. And for what it’s worth, the original Greek translates to something like “I call upon you, awe-some and hidden God..”

When reading the ritual, you may notice that it has two distinctive parts. The first, appears to be a ‘prayer’. It involves several lines praising the Divine, and describing it in various ways. You will notice that it reconciles all duality, always using both sides of every aspect. The Divine is the source of ALL things.

The second is seemingly abrupt. Suddenly, the praises stop and we are met with a string of “I Am” statements. This ends with both a proclamation and a plea, simultaneously asking for and granting ourselves authority over the Cosmos.

The third part, which is removed here, are strings and strings of random words. These are the famous ‘barbarous names’, and they usually are what makes the ritual much longer than is presented here. You can see them in the original version I have provided at the beginning.

“…Hear Me: Ar: Thiao: Reibet: Atheleberseth:………etc.”

Usually, the whole thing is repeated multiple times, with these barbarous names dividing each part. Many of these were probably Greek distortions of Egyptian terms, and many were probably Greek originally, and yet who knows how many more have been added by the Golden Dawn. It should be noted that both of them further distorted several names, although to be honest no one at the time knew as much about these things. Over the years many others have tried to ‘correct’ these names. For anyone interested, here is an online journal which gives the origin and meaning of all of them, as well as the entire ritual.

How to Perform the Ritual

First of, let’s start with the barbarous names, and why modern magicians omit them. Some people might think it just seems like a bunch of mindless, meaningless nonsense. Ironically, those people would be correct.

You see, the mind has two halves. There’s the critical, conscious part, and the subconscious, intuitive part. Successful magick relies heavily on the subconscious mind, since the magician must have absolute faith when he performs his magick. Any doubts, limiting beliefs, and harmful perspectives can hinder the work. If you’re doing a ritual, and all the while thinking about how it’s all stupid and fake, or worried about whether you’re doing it right, or trying to think about the logic of it…well, the ritual would fail.

The way Crowley put it: by forcing you to recite these odd, strange and senseless words, you would push away the doubt. In his words “by enthusiastically invoking something we know not to exist, we are refuting the conscious mind!” (not the exact words, but close enough).

I wouldn’t quite put it that way though. A better way to think is that you’re keeping the conscious mind occupied. By giving it a fairly complex task to perform and keep track of, you’re keeping it from hindering with the ritual.

But, this is actually not a great way of doing so (and in case you’re wondering, the evocation methods that the Golden Dawn finally ended up using did not use the Bornless Invocation, nor any orations from the Ars Goetia). The barbarous names are a bit tedious. You can use them if you want, but a much better way to keep the mind busy is by adding complexity to the ritual. It is for this reason that many Occult rituals have such intricacy. I wouldn’t doubt Crowley and Mathers, as they were very powerful magicians, but I personally find the barbarous names clumsy. Poke Runyon, an equally powerful mage, seems to think so too.

Okay, so now let’s focus on the other two parts. An Invocation consists of two parts: praise and identification. In the first, obviously, we praise the Spiritual force being invoked. You may have noticed this in religious ceremonies, where the Deity in question is called by his many epithets. You may have heard Hindu prayers, where the gods in question is clearly defined using all sorts of traits, such as appearance, powers, clothing and other things. You may have heard Christian hymns where Christ or God are praised through the various roles they play in people’s lives.

The purpose of this is simply: to help us visualise the Spiritual force. If you look at most Occult Invocations, they always begin with such a prayer. This helps the magickian clearly formulate and understand what s/he is communing with, like an ‘image’ of the force. In the Bornless Ritual, we are trying to call on the Divine itself, which is why all the traits seem contradictory, since the Divine is the source of ALL things.

The second part is what religions usually leave out: identification. This is the actual “Invocation” or ‘calling in’ of the Spiritual force. Religion always uses the first part, because it wants you to feel the Gods, without identifying with them. I mean, if most religious worshipers were to identify with their Gods, they they would have no need for religious dogma. They would no longer need the religion to be a middle man between them and their God. And, to the credit of religion, invoking deities requires a well balanced individual who has done spiritual groundwork. Most people cannot just invoke a Deity without preparation. But since the Bornless Invocation calls on the Divine itself, it has few dangers, and anyone can perform it (because the Divine is in all things, whether we like it or not).

Thus, during the first part of the operation, the magus must fill himself with faith and devotion. I normally kneel when I do this part, and speak the words as if in prayer. It’s not just about repeating the words, but understanding their implication. If you believe in and pray to God, this should be done with the same fervour.

Then, the identification. At first, you were calling upon the Divine. Now, the Divine has been invoked and entered the practitioner, and s/he has to assume that mindset and framework. This is where I suddenly stand up straight and proclaim the “I Am” statements in a loud and resonant voice, believing each of them completely. In this short sequence, you have to completely identify with the Divine, and assume the persona of the Master of the Temple. Ideally, having a strong Will and Self Esteem helps. If not, then that can be built up. Doubt and fear have no place, because you’re going to be calling upon forces that will place a great strain on you, as well as those who will test you at every turn.

Personally, I also recommend people who are struggling with self esteem or confidence issues to recite the Bornless Invocation every morning like a prayer, since recognizing oneself as Divine is a crucial aspect of any occult practice. On the other hand, if you’re already really confident and can do this easily, you should be careful using this invocation because it may inflate the Ego, which is one the biggest dangers in magick.

Repetition is not needed, though you may recite it three times if you want, with identification happening in the final half of the 3rd repetition. A lot of the extra bits from the original are unneeded in serious occult practice, although being familiar with the text helps.

In Conclusion

I’ve run out of complicated things to say, so I’m going to link two videos here. The first is an old recording of Israel Regardie reading out the Bornless Ritual, as originally intended by Crowley and Mathers. Regardie was the man responsible to publishing most of the teachings of the Golden Dawn, along with Crowley and Dion Fortune, who were both his peers within the Order. Here he is using the Egyptian version by Crowley.

The second is a video of Poke Runyon performing it within the OTA. This is the version I have used, more or less, and here you can actually see the rite in action during a live ritual. Here, the barbarous words and references to Egypt or Israel are omitted, with no repetitions. (I’ve timestamped the moment where it begins. It’s up to you if you want to watch the rest of the video, which is about an hour long and deals with OTA methods of Evocation. If you’re using mobile, the timestamp may not work. Skip to 55:40)

I like the flair with which the OTA do the rituals, but I dislike their flat tone and spoken pronunciations. This is understandable as it’s simply a minor invocation to the OTA, and much more attention is given to the rituals preceding and following it. While their rituals are no doubt powerful, and while they take great care in creating their temples, props and sigils, I really don’t like the plain English and somewhat dull non-musical recitations, or the spooky woo aesthetic. In fact, it’s all a bit cringey (no offence to any OTA practitioners 🙂 )

I think in terms of the actual words, Regardie says it with more fervor. Notice how he even pronounces all the classical English words correctly. While I always felt the Golden Dawn made everything over complicated and inaccessible, they did understand the sublime beauty of the whole process and didn’t try to replace that with cheesy looking props and spoken English orations. At the very least they made the effort to learn the Hebrew, Enochian, Latin, Greek and Egyptian orations and correctly pronounce them. But it WAS inaccessible. Most ordinary people don’t have time to learn 6 different languages, or procure lion skin belts, or make golden lamps burning olive oil impregnated with snake fat. The OTA has greatly simplified the whole process and made it so anyone, with discipline and commitment, can enter into the Temple of the Mysteries. Personally, I would combine the fervour and force of the GD performance, with the simplicity and flair and the OTA.

That’s all for today. I hope this helped you gain a better understanding of the Bornless Invocation, and various theoritcal and practical aspects of High magick.

I hope you look forward to the release of my first E-Grimoire this Sunday. Be sure to follow this blog for more content. You can also follow me on Instagram @WhiteRavenMagus. Thanks for reading.

Until next time.
~White Raven

The Tree of Life in Yetzirah

October 4, 2018June 11, 2020Tagged air, angelic choire, Angels, ascent, ego, element, Expereinces, golden dawn, hermeticism, journey, kabbalah, kundalini, light work, lightning path, magic, magick, meditation, meditations, methods, new age, path, religion, self, sephiroth, spheres, tree of life, white magick, yetzirah2 Comments

Written: October 4th, 2018 | Edited: 27th March 2019

Alright. I’ve not posted in 2 months. Part of that is I was moving back to India after living in Europe for 6 months and got very busy. I was working on and off on a post about Nativism vs Globalism in Occult, but it just turned into 6000 word political drivel, so I just stopped. Maybe eventually that stuff will see the light of day.

But anyway. Let us talk about the Tree of Life in Yetzirah. Last year, I wrote about my experience meditating on each Sephirah of the Tree in Assiah, and briefly explained how the four Trees of Life work in Kabbalah. Read that if you’re unfamiliar with the four worlds model.

What is Yetzirah

This is, like last time, a week by week documentation of the meditations on each of the ten Sephirah. Much like Assiah corresponds to the element of Earth and the Material World/Body, Yetzirah corresponds to the element of Air and the Astral World/Mind, and thus most of effects were psychological.

It is worth mentioning that the energies of each sphere were not nearly as intense as those in Assiah. Maybe it is because Earth is the first and hardest element to master. We are, after all, primarily living and functioning in the world of Matter. The material world has many forces largely outside our control and we have far more control over our own Mind. I was also prepared this time.

Yetzirah corresponds to the element of Air, and the GD Grade of Theoricus (2=9). This is placed at Yesod. The idea of these meditations is to develop the Mind, and by definition the Ego.

The Assiatic Tree corresponded to the Astrological houses (which includes the elements, Planets, The Zodiac and Polaris). Similarly, Yetzirah contains the various Angelic choirs of the Kabbalah. Bear in mind that the GD definitions stay true to the original mystical meanings (at least, as far as Hermetic Kabbalah in concerned), and not the various later interpretations, present in modern Judaism and Christainity. These later interpretations are due to the attempt to reconcile the two religions, and have them “fit” whatever narrative the Church was following in any given period. Whenever needed, I’ll mention such discrepancies in the names. I’m sure that many of the new interpretations serve the religious purposes of these traditions. However, I am more concerned with the Occult purposes. Also important: leave any knowledge you have of Angelic hierarchies from New Agery at the doorstep.

Ashim|Souls of Fire

The Ashim (also “Ishim” or “Eshim”) are the Souls of Fire. In mythology, it refers to the souls of men who lived a just and good life, and became angels upon passing. They are the closest to mortal affairs. They are said to be beautiful, made of ice and fire, which is an interesting duality. They correspond to Malkuth (in Yetzirah. This will apply to each Sephiroth).

The first four spheres are difficult and test you more than reward you. I was prepared for this, but it still hit hard. Almost right off the bat, I went into a mental rut. I was not able to pay attention to stuff I was doing, nor truly able process most thoughts that came to my mind. I put up with this lack of alertness by directing my attention to memes, youtube videos and a bit of light sketching. I became absent minded (one time, I forgot my laudry was in the machine and left it there for 3 and a half hours). I also ate simple food, because I literally could not bring myself to think about cooking.

Well, this began to ease around the 6th or 7th day, when I began to get my shit together. Interestingly, during this period I got a lot of menial tasks done, and watched a bunch of movies I’d been putting off. It’s amazing just how much time goes off just thinking, and processing thoughts.

When you’re a magician, and a ceremonial one at that, you have a great tendency to be lost in deep thought, and this is actually quite a waste of time. I realised this then, but it took almost 4 months before I was able to fully rid myself of the habit and start being more productive. It seems Malkuth in Yetzirah corresponds to the lowest part of the mind, engaged in the performance of menial, automatic tasks.

Kerubim|The Strong Ones

When one thinks of a “Cherub” you think of the little winged babies that shoot arrows at people to get them to fall in love. This was largely a Catholic idea, and the result of trying to incorporate the Roman God of Love, Cupid, into Catholic imagery.

He had been “babified” to make him more “innocent”, something the Romans had already begun by depicting him as a young boy.

The original Cupid, and his older Greek form Eros, the son of Venus/Aphrodite, was depicted as a handsome young man with delicate features: a more virile God of Love and Male fertility, and earlier still Eros was a more terrifying, primordial God, almost akin to the primal male force called Yogi.

Although the Christian version of Cherubs is a bit flawed, the original Kerubim in the Judaic tradition were the Choir of Angels associated with Yesod. Yesod is the Foundation, and the Kerubim are the strong, unearthly spirits that uphold it. Yesod is also associated with sexuality, and that may be how the Cherubs become associated with Cupid. The Kerubim were also shown as guardians of the Mesopotamian Tree of Life, supporting the thrones of deities (which is also very relevant to their role in Yesod). They are shown as having 4 heads: a lion, an eagle, a bull and a man. These, of course, symbolize the Holy Living Ones of Kabbalah and the Egyptian tradition. If you google “Mesopotamia s

Sexual Energy is the Foundation. Preserve it, but don’t let it decay. This means a lot and cannot be unpacked here, though most people reading will have some sense of it. As far as I can tell, the Kerubs guard the way to the Tree of Life, and consequently, the higher spheres of the conscious mind.

To go through Yesod in Yetzirah meant having to withstand, endure and fight against some of the strongest subconscious influences, like lust, lethargy and distraction. The entire duration of this, I was constantly aroused and uninspired, and very tired, and was even going to bed as early as 10 pm. There were all sorts of other little things, like barely making it in time in the morning. One day, I lost my sketchpad. I looked EVERYWHERE, and at the end I was literally convinced it had been stolen by some supernatural entity (it had slipped under the mattress. Go figure).

This taught me very less, and was more of a survival challenge. However, it made one very important change in my life. You see, like most normal people, I still believed the bullshit food pyramid issued by the US Department of Agriculture in the 1980s.

In order to combat this overwhelming fatigue, I started to see if I could make changes to my diet. Me, and a friend of mine who’s a health/fitness nut, delved deeper into the nutrition thing. Like everyone, most of our food was carbs and sugar, which is apparently a terrible plan.
This is an occult blog, so I don’t want to talk much about food, but after this I began to switch to a more high fat and protein diet, while eating less carbs and almost entirely eliminating sugar. Needless to say, I’ve been much better and energetic. Yesod in Yetzirah also related to perception itself. I was so convinced that it was a spiritual forces I needed to worry about that was causing all these issues. This was my own flawed perception, and it turned out to be things as simple as diet and mental alertness that I had to work on.

Beni Elohim|Children of Gods

“Oy vey, what’s this White Raven?! Hmm? Are you insinuating that the original Hebraic and other related traditions were originally polytheistic and pagan, until some intolerant upstarts demonised the Hebrew Gods and all foreign influence, and subtly changed the entire theological and spiritual structure to fit into a monotheistic doctrine so that they could keep all the stuff that came from supposed devil worshipers??!”

Why yes, yes I am.

“Oy Gevalt..!!”

STOP.
Now calm down. First off, before you start freaking out: no, I am not an anti-semite. If I was, I wouldn’t be sitting here explaining the subtleties of Jewish mysticism. I just have e d g y t a s t e s.
And yes, most other religions all did such things (including my own), and it’s something we have to accept. But remember, Judaism should be no more exempt from critical analysis (by outsiders) than any other religion.

Yes, Elohim quite literally means “Gods” and Beni Elohim means “Children of Gods”, and they reside in Hod, the sphere corresponding to Mercury. In modern Judaic, and some Christian, traditions, the “Beni Elohim” have become related to figures like the Nephilim, Fallen Angels, Demons etc.

Any intellectually honest follower of Judaism and Christianity will see that there is no single consensus on what these terms mean, and it’s all really a product of mistranslations and distortions of the Abrahamic texts. Most modern work on them involves massively misunderstanding Biblical texts.

In the Old Testament, Beni Elohim have been defined as an Angels that descended to the Earth and procreated with human women, and gave birth to a race of giants.
In the Hermetic tradition, as well as in the Kabbalistic tradition, it doesn’t matter.

The “Fallen Angels”, Azazel and his followers, taught Man the material sciences, and the art of war and weaponry. They were removed from divinity, but served as Initiatory figures in the lower planes. This is also the critical and analytical state of mind. This is part of Hod.

In a way, they pulled us out of our natural state. One might say that this is bad, and that we humans should adhere and submit to nature. That is, to some degree, the hippie position. But to be dragged out of one’s inherent base nature is to escape stagnation, to become aware of and escape habits.

We are supposed to sleep as long as we want on weekends, and take warm showers. When things don’t work out easily, or are difficult, it is seemingly better to leave them be, to eat when we are hungry, fornicate from time to time and enjoy our free time through leisure. This is after all, the natural and innocent state of man.

Why then, was this knowledge of science, technology and art taught to us? Why did we develop rules and tenets, why did we diverge so far from our natural state? As any hippie worth his organic salt will tell you it is not important and all these things are evil.

But you know what? Through the pursuit of unnatural things born of the ego and desire, such as discipline, self control, aggression, tool making, schedules, diets, exercise, grooming, and self initiated challenges, such as abstinence, fasting and heck, even going out of your way to take cold showers, have strengthened us and helped us overcome the bindings of material nature.

They are what gave us the name of homo sapien, the Thinking Man, and separated us from animals, capable of logical analysis, critical thinking, and scientific reason. They are not wrong, and the knowledge and challenges presented by the Beni Elohim, which seem like a waste of time, are actually the tools to empower us. No one ever said that man in his simple, animalistic state was truly a man. We become conscious for a reason, and and we return to the Source not as innocent beasts, but as akin to Gods themselves.

In the Bhagawat Gita, it says that the Supreme Being sends forth Souls of man, gods, demons and spirits in every Cycle, but when they return to Him, they are no longer fragments of his Consciousness, but fully developed Individuals. Let no one ever tell you to disregard all that your ancestors have built, and live akin to animals.

Update (2019): In the Hermetic tradition, Azazel and the like are meant to be figures that resent Creation and believe that the Divine Plan of the All mind to perceive itself is a pointless endeavor, due to the sheer pain and suffering that is present in the Universe. The mythological version states that they want the Divine Plan to be abandoned, so that all may return to the state of Unity once more.

The angels of light, instead, want the Divine plan to be fulfilled and a return to Unity that way. Ultimately, all forces want the same thing, and thus they all help the magician. This is a metaphor of course, but I think it’s closer to the truth than the good/evil dichotomy of organised religion. This is the reason for the Yin/Yang symbol, where the two forces are held in balance together.

However, in the mythology, Azazel and his kin wanted to ensure that only the worthy would practice magick, to ensure that those who are allowed to progress on the spiritual path would be sure to full-fill the Divine Plan, and perhaps end the suffering of existence. So they challenged us, distracted us, and gave us powerful tools that could tear us down if we let it get out of hand. All of this was a test, to see if man could survive, and prove himself. There are alternative versions of the myth of course, but this is my preferred one.

Elohim|The Gods

In modern religious thought, “Elohim” is simply defined as another name for God in the Bible. However, this word has become notorious ever since it came to light that in the original Hebrew, it would have been a plural. While El, meaning God, is singular, Elohim, is plural, literally meaning Gods. It can also be interpreted as dual, the collective term for El (God) and Eloha (Goddess).

The first line of Genesis, in modern English, is “In the beginning, God created the heavens and earth.”

However, this line in the original Hebrew version it is Bereshit bara Elohim et hashamayim ve’et ha’aretz, which literally translates as “And so, the Gods created the two heavens and Earth”.

I add “And so” at the beginning, because the statement implies a kind of continuity, and persistence, rather than a beginning.

Now, I am no one to preach to a Jew or a Christian what his religion means. That is up to them to decide. The truth is, this is simply the linguistics, and the actual history and development of the word, much like that of the Old Testament itself, is not fully clear.

Many people have interpreted this as simply referring to the infinite and pluralistic nature of God, while yet others have insisted that “Elohim” was merely a generic term for all Gods of Israel and the surrounding region, and still refers to the Abrahamic deity. Maybe this is so. There is a fantastic historical and linguistic content creator on YouTube called Metatron. He is very credible, well read and Christian. He unpacks this in a brilliant video here.

However, in the Hermetic Kabbalah, being a very academic system, we consider Elohim is mean “Gods”, and it falls on the sphere of Netzach. This choir implies endurance, and the birth of a firm determination to follow your passions.

During this week, I felt devoted, and driven to do what I had to. Be it listening to a podcast, designing or filming, exercising, doing dishes, illustrating, and even rituals. I do daily rituals, and they aren’t very long, but in this period I once held a meditative state for a prolonged period of time, wanting to see how far I could go.

By the end, I was a bit tired and drained. I had picked up a few excessive obsessions this week, like the obsession with counting calories and trying to multi task way too much. I suppose it was an excess of Netzach energy. As the week ended, I dropped such pointless and pretentious obsessions. We are not machines, but it’s also good to understand one’s limits. Most people don’t. I certainly didn’t, and probably am still in the process of learning.

Melekim|Kings

You see, in Judaism, the word for “Angel” is Mal’ak. According to Ben Shapiro, a conservative american Jew who does political commentary, the word literally means “messenger” in Hebrew.

From what I can find, no one really uses the word “Melekim” anymore, and when they do, they simply mean it as generic “angel”, same as Mal’ak. Kind of odd if you ask me, because they derived “Moloch”, the Judeo-Christian demon, from Mal’ak, meaning ‘Mal’ak’ was the God of some unfortunate pagan semitic-tribe.

Melekim is the angelic choir associated with Tiphareth, which you will know corresponds to the sun and the Self. Whatever comes to your mind when you think “Angel”, the archetypal idea of a divine being of light with wings, which serve as messengers between the Self and the Ego, or God and Man, in pure white robes and a golden halo/sun disk, are the Melekim. The solar symbolism should be obvious.

The first morning was exceedingly calm. This week I got a lot of stuff done. I got several periods of creative inspiration, which came as prolonged bursts of insight. This was also the period of a very important project, which I am glad I had not had to do in the previous weeks, in the lower spheres.

On the other hand, this was also a period of Ego inflation, as this was basically Tiphareth (Self in Ego) in Yetzirah (Ego).

I have an interesting thing to share. Often I pace around the room, thinking about stuff. I am pretty sure most people will get what I mean. I’m referring to that constant internal dialogue you have, where you process thoughts, ponder over things, and talk to yourself. I don’t know if everyone does it how I do, pacing around the room, but I know that everyone does it in some way.

Naturally, such period are great traps, because sometimes you get caught up in a particular line of thought that simply goes on and on, until you suddenly catch yourself. You realise you’ve actually managed to tire yourself from pacing and thinking, and have wasted almost an hour. You then get back to what you are doing, the mind being somewhat quieter.

I know one of the goals of meditation is to learn to stop following such lines of thoughts, and just observe them as they come. This is what the Tibetans call “the monkey brain” because it is always chattering. It is, ultimately, as aspect of the Ego.

My monkey brain is especially talkative, and though I’ve been learned to stop running after it, sometimes I can’t help myself and stumble upon some particularly interesting set of thoughts. (FYI, remember, Sexual Energy is the Foundation. Do not weaken that, for that keeps the Monkey in check.)

During one of the later nights of the week, after a walk through the forest with some friends, I was awake till very late. My poor attempt at making Slavic food (a rice dish called Plov) had gone badly, and I wasn’t entirely calm. My mind was running through various thoughts. I don’t know how long I paced, but since it was late and I had nothing else to do, I allowed my mind to run loose and I continued to pace, and my mind went from one thing to the next, chattering away about all manner of things. On and on, I willingly paced.

Then something very peculiar happened. For the first time in my life, I reached the end of such a line of thoughts.

You see, normally we don’t reach the end of our thoughts, just cut them short. Through the practice of meditation, one learns to stop following the thoughts. They’re still there, you’re just choosing not to run after them. But to actually reach the end, was a weird and mystical experience.

I believe Paulo Cohelo, the Brazilian author, alluded to this in one his books. I think it was in The Valkyries. It was like my mind had been steadily producing some physical substance that had been coming out of my head, and suddenly, this stream of stuff reached it’s end. It was like a physical hole in my head closed, and relaxed, as this stream of substance actually reached it’s end, instead of being cut off and withheld.

And I hate to make such a crude metaphor, but it was like I was in the toilet, and all the waste had been expelled, and my hind muscles relaxed, glad to be free to the burden of relieving oneself. I’ve heard a similar effect is produced by writing down all your thoughts, so you can stop thinking about them, and get them off your head onto paper.

I’d silently and patiently listened to the Monkey’s chattering to the very end. It actually had nothing more to say. I felt like I had not a single thought to produce. I felt a strange and deep silence, which was exaggerated by the late hour. True silence, with nothing to be heard, and nothing to be done, and a totally empty mind. Sleepiness and lack of food probably added to it.

I then proceeded to meditate until sunrise, without any distractions or thoughts. It was fun!

Seraphim|Fiery Serpents

In Christian and New Age literature the Seraphim are often the highest of the Angelic beings, while in Jewish hierarchy they are placed Fifth. On the Tree of Life they fall on the fifth Sephiroth, Geburah, being the warlike and forceful angels, thus called “Fiery Serpents”.

They’re depicted as having Six Wings, and help carry out ritual purification, mentioned as doing so in the story of Solomon and his Temple. The Serpent motif is an important one, often connected with Royalty, such as in Egypt and Japan, and with the Kundalini/Caduceus.

This week was a strange one.

There was great assertiveness, and way too much aggression, and at one point I exploded at someone. There were certain things that said person had been doing, that were bothersome to me and others, yet no one ever said anything, not wanting to bring in negativity into our work. Unfortunately, one day, having not slept the previous night for various reasons, I was cranky and tired, and it was as if all barriers of caution and doubt had given way. I just let loose, not angrily, but with a certain sternness. It was not a very good idea, but it was as if tension that been building up for weeks finally broke through. It felt good to say things bluntly and as they are, without regard to the norms that generally dictate social interactions.

Needless to say, all was forgiven eventually, and awkwardness eventually died out. We remain good friends, but sometimes it’s important to speak out for yourself. You’ll be amazed that others who feel the same, but can’t speak will keenly follow. This is especially true if you’re fortunate enough to be a naturally assertive person, since not everyone is.

Other than that, my appetite disappeared, and I went about 3-4 days without basically eating any meals. So I must have eaten snacks, but at the time I had little more than curd, nuts and fruit that was hanging about. Strangely though, I was full of energy, and experienced no side effects of not eating, going about my day as always, even exercising as usual.

Finally, an event of note. I had a plan with some friends to go somewhere. This plan, you see, had been delayed and cancelled several times, as getting everyone organised and ready to go out on a day always proved to be a chore. I think everyone reading can relate. The classic torture of trying to make travel plans that always fall through at the end.

This particular night, as usual, at maybe 2-3 am, each of them pulled out one after another. We were supposed to leave next morning.

All had some excuse or another, and I think for at least 3 or 4 out of 6 it was just that they’d had way too much to drink. I had avoided drinking for this very reason. I’m also that guy in the group who’s good at planning, so I usually take charge in making plans and such, trying to make sure everything’s taken care of.

I think that night it finally hit me. I just thought “fuck it, i’ll just go do shit alone”.

I mean, these were my good and close friends, with whom I have shared many fond memories. But after that, until the time of return, I traveled extensively, going far and wide, and alone. Sure, sometimes I accompanied others, but I entirely gave up on trying to get others organised.

I think it was ultimately based on my own fear of travelling alone, always wanting at least the assurance of someone else. Let’s be honest, a lot of people are like this. No one enjoys doing stuff alone, mainly because we feel self conscious.

But this was an important moment. After this, travelling alone over far distances, seeing all sorts of things became easier. Heck, I like films and always tried to encourage others to go see movies with me. Now I just went alone.

I’m not a loner or an introvert. I enjoy the company of others. I’ve just realised that few people actually enjoy seeking out experiences, and it’s much, much easier to be independent.

Strangely, it strengthened my bonds with friends, as they were no longer people I depended on for company so I could go places, and instead became people whose company I genuinely desired.

Some people found this attitude of mine very strange. I’d abruptly wake up early in the morning, grab my things and catch the train to another city. Halfway through the day people would ask me where I was, and I’d just tell them honestly. They found it odd that I’d just left without any noise. And I think some also longed to do things completely by themselves. I remember there was always someone who wanted to go do something specific, but everyone would always be busy or not interested.

So I say to you: fuck it all. Just go do whatever you want to do, wherever you want to do it, and don’t wait for others, or you’ll waste your entire life waiting. Who is destined to share those experiences, will come along naturally.

Chashmalim|Brilliant Ones

Chashmalim (often written Hashmalim) are the Angelic choir of Chesed (also pronounced with the same guttural “Ch”, as in Ch/Hasidic Jew). In modern Hebrew, Chashmal translates as “electron” or “electricity”. Chesed is associated with mercy, kingship, wealth and other Jupiterian things.

This week brought a satisfying conclusion to a project I’d been working on for almost 6 weeks, which as I mentioned had begun at the same time as my meditations. At the end, I had to present a short film to a large batch of Europeans, none of whom who had a particularly good grasp of English.

And, Europeans being Europeans, decided that it would be a great idea to have a round of beer before I went on stage, in the goddamn afternoon.

Regardless to say though, it went great! Chashmalim, as the name suggest, are where all the mental energies lose momentum and settle down, being the final spot of true manifestation before the Abyss. No wonder it is the sphere of Kingship. One may say this is the pinnacle of the Rajasic/Kingly mode of being.

I also had an acute awareness that I was playing a character. In everything I did, it was not truly me who did it, but simply a persona that had been adopted. This is a more complex topic, I know, so I just mention it in passing. Chesed is the point of first manifestation in Yetzirah, which is the world of the mind, ego and personas. You may say it is the sphere where Personas form, and where one became aware that one is ultimately just adopting various Personas throughout life. These personas are the things that separates the lower spheres in Yetzirah from the Supernal Triad.

Realising that you adopt a persona, or rather a set of personas as you go about life, lets you realise that you are not the Persona itself, and the Persona does not rule you. When I went up on stage, I consciously adopted the Persona of a speaker, and it filled me with confidence and eloquence. I was able to communicate very well, and felt like public speaking was somehow very natural to me (even though it’s not).

Also, amusingly, this was when I first decided to grow a beard. You will remember that all beings associated with Chesed have beards, and I thought it looked kind of nice.

So yeah, I have a beard now.

Aralim|Thrones

Sometimes called Dominions by Christians, the Aralim are the choir of Binah. Depicted as wise elderly men, the Saturnine symbolism is obvious. While the Wheels (which we will get to) are the moving and active (masculine) force, the Aralim are the passive (feminine) and stable force, like the Vehicle driven by the Wheels.

As my work was done, and I had nothing much to do in the few weeks before returning home, this week I rested. Saturn is the place of rest, as Saturday is, and why God made the World in Six Days and rested on the Seventh.

It is also a time of things ending, and passing. People wrongly assume that Binah signifies “Loss”. Loss only occurs when one has formed an attachment to the things that are leaving his/her life. You can’t do that, since everything will end anyway, and wanting it not to simply invites suffering.

As I mentioned, my time in Europe was coming to a close, and also the time of others I knew. This week was filled with me saying goodbye to several of my friends one after another, as many of them left for their homes.

It felt strange, as there was no real guarantee we’d ever even see each other again. It was a very surreal experience for me, when I truly understood what the Buddha meant by “attachment brings suffering”. I was determined though, to allow things to pass as they would. And so it happened. People who almost saw each other as family by now departed, perhaps forever, going separate ways. Not much more to write about this, except that the last days were happy days. It was bit depressing though.

I also want to point out something you must have noticed already. My meditations in each sphere were peculiarly linked to real life circumstances that were fully external and well outside my own personal reality. The meditations always coincided with meaningful events. Such is the power of Synchronicity.

Auphanim|Wheels

These are the Wheels I mentioned earlier. They are depicted as Wheels covered in eyes, that are inhabited by the Kerubim. The colour of Chokmah and Yesod in Yetzirah are also shades of the same colour.

These are the Wheels that you may have seen in the myriad depictions of Angelic beings in Japanese media, and the symbolism of invisible Wheels that direct the forces of the Universe is a powerful one, ranging from the conceptual cycles of life and entropy, to the Chakras, to psychedelic visions of machinery, to the Wheel of Astrology, to the swirling galaxies and nebulae, to the very manner in which the fundamental forces work.

Chesed is the first force that directs the energy of Kether downward into the Tree, being the place of Tahuti and Uranus, as well the entirety of the Zodiac. In Judaic lore, the Wheels, also known as “Spheres” or “Whirlwinds”, move and hold up the Throne of God.

During this week I traveled extensively. I also broke through into new meditative states, but those are experienced and interpreted differently by everyone, so not much point trying to explain that. It would be the defining aspect of this week though. I had free time so I’d sit in silent meditation for long periods, to that point where all goes silent and the light appears. When all physical feeling is lost, and you suddenly become aware of the true nature of things, even though it is only a glimpse. I often meditated until sunrise, and then went to sleep.

Chayoth ha Qadesh|The Holy Living Ones

This refers to the Angelic Choir of Kether, and I suppose one may think of this as the collective angelic forces ruling over the astrological house of Neptune, and Polaris (The First Swirlings). It is also refers to the Holy Living Ones of kabbalah I mentioned in Kerubim: The Man, The Lion, The Bull and The Eagle, which symbolise the four elements, and the four faces of YHVH.

This is it, the Crown of Yetzirah, or the Mental/Astral World of thoughts, the highest State of the Conscious sphere, which exists as a manifest “God”, like the “God” of organised religious traditions.

I spent this entire week preparing to leave, and all momentum had slowed down. I was exceedingly calm, and totally alone, and these contributed to creating a very content State of mind. I do not have many reflections to share, except that I was quite content, and longing to return home. Thanks to Synchronicity, I returned home on the very last day of the Week, and of this meditation.

People who read this blog may know I have nationalistic leanings, but I did not know how much until I set foot on the soil on which I was born. Seeing my home, and my people after so long left me almost emotional, and hit me with a deep and profound sense of joy and happiness, to the point where I was smiling stupidly listening to the hordes. Coming to Delhi is jarring though, since it tends to completely disrupt and break all mental peace. Unfortunately, when you live in a region around a Capital, all the important stuff, including airports, are there. And Capital cities are often soulless dystopias.

Still, the familiar scents, sounds, and visuals made me feel grateful, for no amount of fantastic sensory experiences can ever parallel the beauty of one’s own homeland and people (and soon we were out of Delhi).

FYI, I don’t mean it in the sense of of race, religion or any subgroup, but as the broader, loosely defined concept of one’s own “community”, generally associated with, but not limited to, an ethnic group, or set of ethnic groups (as in India or America’s case), a cultural or spiritual unit, or an intellectual bloc or geopolitical zone. The land of your forefathers, your Gods and your fundamental values has a deep significance.

It is also why almost all Occult traditions ultimately lead people back to their roots, which is also why I think so many Occultists, especially in the West, follow native/pagan religions instead of Christianity, or have some version where they merge the two. This is true even in the Middle East. Even though Islam is an ethnic religion, almost all Islamic occult traditions have old pagan influence unique to each region (Arabic, Turkic, Persian etc.).

The Occult is, by nature, nativist. I am now entirely convinced of this, after having learned about countless occultists and occult traditions. T

his phony attempt, that has raged for 2000 years, to unite all peoples under a single artificial banner, a “correct” religion, some universal spirituality, is bullshit.

If there be some Universal Creed (which there most likely is), it is found through one’s own roots, and any attempt to enforce such a thing will inevitably be the product of some individual culture’s conditioning. That does not mean, by the way, to pledge allegiance to some lofty sounding ideology or political figure on a pedestal, and to quietly submit to the norms of a culture and religion, and fade away into the masses of your culture.

These are mere safety nets, to ensure the system works and people are relatively content. To be an occultist means to delve into the Chaos that lies at the boundaries of Society. Only he who knows Chaos can adequately defend Order. And right now, more than ever before, in the face of this attempt to wipe away people’s identity and turn them into uniform drones, this means to stand for one’s people and homeland. This is what truly unites us. This is what “diversity” means.

You may very well say, that this set of values, this “God” is an illusion, that identity is an illusion. Sam Harris and many other spiritual atheists have said so. And to soem degree they’re right. This “God”, these values of “nationalism” or “homeland” or “community” are consciously perceived. They are the crown of Yetzirah, the Chayoth ha Qadesh, and obviously they are below the spiritual truths of Briah and Atziluth. But such platitudes are part of the spiritual blindness that has caused people for centuries to disregard Yetzirah and Assiah, Air and Earth. Statements like “the material world is just an illusion” or “identity and culture are artificial” are symptoms of this. It shows that the person saying them has not understood the lower worlds, and so he simply cannot understand the higher ones. I won’t trust any spiritual truths following these statements, because they will be incomplete and imbalanced.

People need community. They all have desires and thoughts, beliefs and values. It is simply not possible to discard these so non nonchalantly without having a pretty good replacement. It is a spiritual idealism that has left people alienated, isolated and bitter, and very susceptible to fall to political ideology

Corporate Propaganda to sell you something. You know very well they’re just models, but it’s part of the drama that this is a real college picture. Trust me, I’ve actually been the “token foreigner” for a pamphlet. Not that I minded though.

Reality. To Each their own Sovereignty

I hope you enjoyed reading. If you want, follow my blog for more Occult content. You can also follow me on Instagram @WhiteRavenMagus

If you have any thoughts to share, please leave a comment below.

Until next time, farewell.
~White Raven

Evoking Gremory, the Great Duke

January 20, 2017July 24, 2020Tagged Angel, Angels, Ars goetia, ceremonial magick, conjuration, daemon, demon, duke, expereince, female, feminine, golden dawn, Gremori, Gremory, Grimori, guide, hexagram, hinduism, kabbalah, lesser key of solomon, love, new age, Occult, OTA, paganism, pentagram, Poke Runyon, poliel, red, relationships, religion, sexuality, solomon, spirits, spirituality, summoning, venus27 Comments

Written: January 20th, 2017 | Edited: 15th March 2019

This is about the Goetic Evocation of the Duke Gremory.

In my previous Goetia post I had mentioned how I hadn’t had the need to Evoke Goetic spirits for a long time. In fact, the last time I evoked a Goetic spirit was before I Invoked Samael, which is the very first post on this blog.

So naturally, in that time I’d learned a lot, and I brought all that into this Evocation of Gremory. It is heavily inspired by the methods of Poke Runyon, and I must say, it worked better than I’d ever expected.

Update (2019): These days I use some of the methods from Paganism, Hinduism/Buddhism, Demonolatory and Christianity far more. The traditional devotional methods, with chanting and drama work far better for me than formal western ritualism.

Info From The Ars Goetia

“The Fifty-sixth Spirit is Gremory, or Gamori. He is a Duke Strong and Powerful, and appeareth in the Form of a Beautiful woman, with a Duchess’s Crown tied about her waist, and riding on a Great Camel. His Office is to tell of all things Past, Present, and to Come; and of Treasures Hid, and what they lie in; and to procure the Love of Women both Young and Old. He governeth 26 Legions of Spirits, and his Seal is this, etc.”

Always keep Seals facing down, and preferably in a container. Don’t leave them lying around, especially face up. These are sacred objects.

Nature of the Spirit

At first glance, she seems to be the same as the rest, with a crown riding an animal, with the powers of divination and of procuring love. There’s many, many spirits in the Lesser Key that have these two skills, but out of all these, Gremory does stand out, for two reasons. One, of course, is that she appears to be one of the very few, if not ONLY spirits who appears as a woman. Several Goetia appear female, in practice, but in the book, every single one is referred to as “He”, meaning the author imagined them to be all male. Except Gremory, who is explicitly called “she”.

Traditional depiction of the Spirit

Also, it is specified that Gremory helps you gain the love of “young and old” women. As I said, many Spirits of the Goetia can help you get love, both romantic or otherwise, but this Spirit is the only one for whom age is specified. I find that odd. It seems to imply that Gremory deals with very specific tastes of people, helping you procure the love of people who are considerably younger or older.

My interest of course, was in the divination aspect of it all. I mostly call on the Goetia for information and understanding, or to make changes in my perspective.

About of the Spirit

I have not found any mythology about the Spirit, outside of the Ars Goetia and the Pseudomonarchia Daemonica, but at this point, that’s become a pretty common occurrence with Spirits which are not evidently important, and I’ve written about this before, so I wont rant about it.

The name Grimori is derived from both English and Italian. Grimoire, as you probably already know, means a “magickal textbook” in French (the Ars Goetia is a grimoire), and consequently, in English, and probably came from Frankish, Greek or Latin.

The Italian word for grimoire is grimorio, and the plural is grimori. So the name of the Spirit here literally translates as “textbooks of magick” in Italian.

I personally believe that Gremory is simply the anglicized version of Grimori. Or, it has something to do with Sodom and Gamorrah, like someone pointed out. Though that sounds like the usual Abrahamic fire and brimstone nonsense to me.

Let me guess: there was some well-of pagan city in the Middle East that the monotheists decided they hated. Maybe it has sexual freedom.
At some point disaster struck, as is inevitable, and they rejoiced by writing about it as God’s wrath. To me, using metaphorical names for cities you despise instead of real ones betrays cowardice and the inability to face enemies boldly.

Associations

Name: Gremory
Rank: Duke
Number: 56
Planet: Venus
Metal: Copper
Sphere: Netzach
Incense: Rose
Tarot: Two of Pentacles

Element: Earth
Angelic Counterpart: Poliel
Ruling Archangel: Uriel
Ruling King: Göap

Preparation of Ritual

I did this on the Day and in the Hour of Venus. I know the Goetia says to do it on very specific Moon days, but I ignored that for once. The Moon was 24 days old, and it doesn’t make too much of a difference anyway. The best results may be on specific days, but really, it’ll work whenever you do it, as long as you know what you’re doing.

First of course, I cleansed myself and the room, put on my ritual garb, and anointed my temples.

I had with me the Seal of the Spirit as well as the angel Poliel (given in Poke Runyon’s book), in green on white paper, as well as the Pentagram and Hexagram of Solomon, around my neck like they do in the OTA.

I also drew the Sigil of the Spirit on the other side. This is the first time i’ve done so, and it means I’ll have to make a new Pentagram every time I evoke a new spirit. I don’t do this anymore either, but you can if you want.

I put the Angelic and Demonic seal on top of each other, both face down, on the Altar, which faced North, along with the incense, the Hexagram, face down as well, with a Green candle in front of the Triangle, which is fitted with a black mirror, and my stones in a crescent shape.

The Black Mirror used by the OTA

I used the black mirror scrying method. I’ve tried this method only twice before, but I think this will be my choice for all evocation from now on, because it worked so well.

I meditated on Venus for a while, listening to binaural beats of the corresponding frequency, then I started the ritual, with my preliminary banishing and declarations (you know, generic stuff), then sat down facing North and began.

Update (2019): This was the one and only time I used the full OTA method, as an experiment. While it is powerful, I no longer use many aspects of it, as I mentioned at the start. I no longer use the black mirror, opting for incense instead. I also do not draw the Sigil of the Spirit on the other side of the Solomon Pentagram. The intent of that is to bind and control them, and that conveys fear.

Calling on Poliel

Normally, when you call on a Spirit, you should invoke their Angelic counterpart from the Shemhamphorash first.

The Shemhamphorash says to recite ~~Psalms 145:14~~ Psalms 144:14 (from the Latin Vulgate, which is fundamentally different from the standard Bible when translated).

More so I began by petitioning Uriel to send to me this Angel, and then began to recite the verse.

I must say, I was skeptical at first, since I don’t really use the Bible for anything, but this worked ridiculously well. I finally understand the whole obsession of western occultists with the Old Testament. This might be the fastest connection I have ever made with a Spirit or Angel. I recommend the Latin Vulgate for any Shemhamphorasch Angel, and the Demonic Enns for the Daemons of the Goetia.

I very quickly slipped into a trance. I must have recited it for maybe 2 minutes and I felt a very strong, very substantial presence in the circle. When I opened my eyes, the candle was tall, steady and bright, and I could almost feel Poliel standing behind my in the circle. There was no visible appearance, but I wasn’t going for one either.

If I had to define his presence in a picture, it would be this.

“Greetings, kind one”
That’s new.

I requested the Angel to stay with me and aid me in the Evocation of Gremory. The Angel agreed, and I felt invigorated and courageous, and I knew I had Poliel on my side.

I definitely recommend calling Shemharphorash angels before the Goetic spirits. They will aid you greatly, even if it’s just for guidance. However, I do not reccomend that for full fledged deities in the Goetia, nor for High demons like Belial.
Especially not for the ones who are also pagan deities. Some may take offence. It depends on the daemon itself really. You will usually be guided.

For the lesser ones, you may have to call the angels just to get in touch. But then again, I tend to stay away from lesser demons and angels anyway.

Evoking the Duke

And now the real work begins.

I started with the Bornless Invocation. I don’t use the one given in the Mathers/Crowley Goetia. I use the OTA version, because it’s much shorter, but with the Egyptian names given by Crowley.

I’m sure the original works for many people, but in my opinion, Crowley and Mathers completely butchered the barbarous names and all it does it break my trance rather than create it. The later Egyptian version created by Crowley (and used by Regardie) works better, but is still needlessly long and pointless.

After repeating it thrice, I went on to the Conjuration itself, of which, once again, I have my own version, inspired by Poke Runyon’s, since I find the one in the Goetia far too long, drawn out and a bit too Abrahamic. I recited this thrice as well. At this time, I did not know about the demonic enns, or I’d probably use that instead.

All this while, I stared into the mirror, and I think at the end of the third time, the Spirit must have come, as it should, and I felt a light presence.

But I was not able to feel a full connection, so I kept chanting as the presence grew stronger, because I generally don’t welcome a Spirit until they have given a substantial and evident sign of manifestation. So, I kept chanting.

The Spirit grew impatient. As I chanted, I heard some guy outside, yell “oh my GOD!” and at that moment my candle, which I was holding, fell off the holder, face down onto the mat and went off, and I was left alone in the dark. Accident? Well, as Master Oogway would tell us, “there are no accidents”.

Anyway, so now I knew the Spirit had come. I lit the candle again, I turned up the Sigil, pulled off the cloth covering the Hexagram of Solomon, and gave my greeting to the spirit.

“Oh my god what is wrong with you. Here I’ve been trying to talk and yet you ignore me and continue to chant, you really need to be more mindful of your surroundings, even in trance, and have some faith in the spirits you call” (Yeah, definitely a female spirit. no offence)

She sounded pissed off at first, but then she calmed quickly and greeted me too. Since I was using a black mirror, I only saw her face. She certainly was a woman, and looked almost like a Princess and wore a crown, with long black, kind of unruly hair, and a eyeliner, which seemed to across her face, like a band. She looked like a warrior princess, if that makes any sense, with the hair and band with the crown.

She also felt and talked like that. She certainly had a royal presence, but at the same time also a rebellious, somewhat intimidating energy.

She regarded the Hexagram with a hint of disdain, saying it had been used to make her obey for centuries.

Update (2019): I use neither the Pentagram nor Hexagram given in the Goetia these days. Unknown to me, at the time my own Hindu upbringing would clash with the Abrahamic style rituals. Took me a while to fully understand this, and caused me, as I said at the start, to alter my rituals to make them more comfortable. I opted for the Hindu approach in the end, since it is ingrained into my subconscious anyway.

She is said to have the power of divination, and I asked her questions in this regard. She wanted me to get to the point, and also said she could pretty much do anything, but could not bend people against their will for prolonged periods of time (no Spirit can. They can only bring about a permanent change in your own psyche)

She also told me some fairly important things regarding desire and relationships, mostly personal, but here’s a little tit bit, for what people desire from a potential love interest.

“In this world, there are many things unintelligible, and you cannot understand them, so you must trust yourself. All people want is love, and in return, ask and they will give the same. You must be open, restless, loving and caring. No one demands much, a true partner wants love. Do no break their heart. People will test you, and you cannot give in. Each person will appreciate certain traits. Find that, and embody it. Cowardice will do no good. Be loving”

I then asked her about her history, and her “fall” from heaven (which is pretty much the mythos for all Goetia) to which she replied:

“I never actually fell. I have been worshiped under different forms for a long time. Nonetheless, my primary role for the past several centuries has been that of a daemon, and so that is who I am at the time”

I asked her if she could name a Goddess she had been worshiped as.

“People have seen me as a war goddess. Research, and you will find. I was, and am, a certain war goddess who rides a camel, and my colour is Red. She is close to you, but not very well known among the people. I have also been venerated by the Japanese as Rias Gremory, which is close to my Goetic form”.

If you don’t know, Rias Gremory is a demon from an anime. The anime is amusing at best and questionable at worst, but eh, what are you gonna do? The Japanese need their absurdism. The first season was ok, for a teenager. The rest was shit.

This isn’t from that anime, just a picture I found.

Closing and Post Ritual

I thanked her for coming, and then gave the License to depart 3 times, and her energy faded. I then gave the license to Poliel, and then ended and closed the ritual.

Of course, then I was excited to search for the Goddess she had told me about.

I merely typed into Google, “goddesses who ride camels”. After all, there aren’t many, nor are there that many polytheistic religions which have camel motifs. The result surprised me. I understood what Gremory meant when she said it was close to me.

The answer is Momai Maa. A Hindu goddess from the Indian state of Rajasthan. (FYI, where I live is a 6 hour drive from there). She’s not a well known goddess, but these days she is considered to be an aspect of the Hindu Goddess of War, Durga, who usually sits on a Lion, and is well known.

In fact, you might have heard of her even if you don’t live in India, as she’s a fairly prominent member of the Hindu pantheon. She was also pretty important in my family. Aleister Crowley’s depiction of the Thelemite goddess Babalon riding the Great Beast, is inspired by the image of Durga.

Many local Indian goddesses were identified as different forms of Durga when Hinduism spread across the subcontinent and brought more and more communities under it’s umbrella (which is better than erasing them, like the Abrahamists did i Europe and the Middle East). The deity itself is probably a much more ancient motif. Rajasthan is a desert state, so camels are an important symbol there.

Momai Maa is depicted holding a trident (called a Trishul), a sword, a lotus and a an instrument, and seated on a camel, wearing red clothing.

So Gremory was 100% correct. Momai Maa is a local, non Vedic goddess, so you won’t know of her unless you really look. If you’re ever doubtful about your magick, or want to confirm that the Spirit you’re talking to isn’t just a figment of your imagination, ask them questions like this without fear, things that you can check for validity immediately after. It really will strengthen your faith and confidence.

Anyway, that’s it for now. Sorry it was long, I’m currently trying to train myself to not ramble on and write shorter stuff.

EDIT 2020: As of July 2020, I’ve written a new book on the Tree of Life and Kabbalistic theory. I’m quite proud of it, and you can check it by going to the Books tab, or clicking right here.

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This is White Raven, signing off.